“Executive production as an act of curation” – Liz Rosenthal (Power to the Pixel)
After the recent run at The Observatory in London of Soul Paint, the multi-award winning virtual reality experience…
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Articles, interviews and analysis from XRMust.
After the recent run at The Observatory in London of Soul Paint, the multi-award winning virtual reality experience…
On December 6 and 7, 2024, 104factory opened its doors for the 8th consecutive year of the Open…
For a number of years now, Luxembourg has been setting out its ambitions in terms of XR production.…
A prestigious success in 2024 (with a host of festival selections and awards, including Venice, Geneva and the…
A prestigious success in 2024 (with a host of festival selections and awards, including Venice, Geneva and the…
The inclusion of guest artists at California Institute of Arts offers a rich opportunity to foster intercultural exchange,…
Last month saw the opening of the 3rd Biennale des Imaginaires Numériques organized by Chroniques. Spread over Aix-en-Provence,…
Having concluded just a few days ago, the IMPULSE Funding Market at VRDays’ Immersive Tech Week, this year…
In 1989, speaking of virtual reality, Jonathan Carey wrote that “spectacular power cannot be reduced to an optical…
The end of the year always heralds a form of synthesis around projects shown at festivals and/or distributed…
There was an irony at the core of IDFA’s DocLab programme this year. Distribution, which has long been…
Did you think we would stop at two? Think again! Because the interview with Ferryman Collective at Venice…