“Avatars as extensions of ourselves that offer new perspectives” – Kazuki Yuhara (FIRST VIRTUAL SUIT)

A bright experiment in an often serious field, FIRST VIRTUAL SUIT turns identity into play, showing that immersive storytelling doesn't always lose its effectiveness when it makes you laugh rather than cry. Cover: FIRST VIRTUAL SUIT, Kazuki Yuhara (Cinemaleap) In the near future, as virtual reality becomes a part of everyday life, creating and using […]

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REFLECTIONS OF LITTLE RED DOT: an open-world mixed reality documentary with heart and soul

What does it mean to interact with a documentary? In 1991, Bill Nichols proposed six different kinds of documentaries. Since then, the documentary form has been dissected, shifted, observed, turned on its head—and, with VR, we’ve been able to enter

Backlight announces OZ EXPERIENCE, an all-in-one entertainment LBE catalog

With the launch of its new offer OZ Experience, BackLight wants to enhance its own in- house licenses and its positioning on the market of Location Based Entertainment Virtual Reality (LBE VR). For the first time, BackLight creates a separated

“In THE WRECK, you embody the heroine’s vital drive, and without you, she’ll never make it” – Florent Maurin (The Pixel Hunt)

The world of independent video games is littered with narrative experiences of ambitious emotional scope. With their latest creation THE WRECK, French studio The Pixel Hunt wanted to deal head-on with the consequences and fear of grief in a deeply

“OTO’S PLANET is an interactive work that reflects on the absurdity of our contemporary society” – Gwenael François, Julien Becker (Skill Lab)

If you haven’t heard of Luxembourg-based studio Skill Lab yet, memorize it. In addition to the world premiere of their experiment OTO’S PLANET at the Annecy Festival in Competition, Gwenael François and Julien Becker participated in the production of MAMIE

Decoding XR: IL DUBBIO – EPISODIO 1, Matteo Lonardi

Recently selected for Venice VR Expanded and Raindance Immersive, IL DUBBIO is an animated immersive experience that reflects on (...)

“AR as a way to reach a wider audience” – Julian Dorado, Camila Marturano (IAGO: THE GREEN EYED MONSTER)

Presented at Tribeca Immersive 2022, IAGO: The Green Eyed Monster is a prequel to Shakespeare’s Othello that uses music and AR to turn the tables and offer a different perspective on the main antagonist, Iago. We discussed it with Julian