“Our intention, with Édith Canat de Chizy, is to keep the audience close to the performer.” – Blanca Li (THE SHADOW)

Laurent Catala

Presented as part of the IRCAM’s Manifeste 2025 festival, THE SHADOW is an augmented dance piece created by choreographer Blanca Li, incorporating mixed reality on stage with both headset-equipped audience members and live performers. It’s a way of questioning the relationship between dance and new immersive technologies—an area that leaves the Franco-Spanish artist anything but […]

---

Not gonna lie: this part is locked

Memberships help us keep XRMust independent and keep the project growing.

@ Dabatase

The Shadow

@ Magazine

Poetics and the New Opening of Greece’s Immersive Scene

In this conversation with Byron Chrysovergis, founder of Poetics, what emerges is not the portrait of a market already in place, but of a country where new openings are starting to appear for immersive exhibitions. Greece does not yet have

“Coming from traditional animation, I had to learn a new creative vocabulary” – Sunghwan Lee (IHYANGJEONG: CARVING WITH MEMORIES)

South Korean XR production company GiiÖii and Studio Shelter present at SXSW 2022 their latest project, IHYANGJEONG: CARVING WITH MEMORIES. A unique take on exploring our heritage through the story of a 300-year-old old house that descended from Sunghwan Lee’s

“Inspiring wonder across all audiences through new forms of storytelling” – Raphael Haddad (Gedeon Experiences)

While the French audiovisual group GEDEON Media Group is best known (and has been for almost 30 years) in the traditional documentary world, its approach to immersive formats is not new. Its GEDEON Experiences branch, now headed by Agnès Garaudel,

Marshmallow Laser Feast’s unveils SWEET DREAMS “a mesmerising blend of motion graphics, gaming, illustration and cinema”

Factory International and award-winning art collective Marshmallow Laser Feast (MLF) set out to redefine the boundaries of storytelling and cinema in the world premiere of SWEET DREAMS, a surreal, immersive journey through appetite, human desire and the evolving landscape of

Digital Inter/Section Case Study 4⎜Signal Festival, ticketing and audience strategy

How can digital arts organisations bring in a business mindset while maintaining artistic integrity as major producers of digital art? DI/S – Digital Inter/Section, a multiyear project supported by Creative Europe, is releasing four case studies of new business models

Decoding XR: THE PANTHEON OF QUEER MYTHOLOGY, Enrique Agudo

We discovered Enrique Agudo’s last immersive work during the online Tribeca 2020 edition where it got its World Premiere. Since then this visual and narrative mosaic has been selected in several festivals. We had a chance to discuss with its