Editorial⎜A look back at Verzio’s Vektor VR “Misunderstood Bodies”

For five years now, Ágnes Karolina Bakk and András Szabó have brought tightly curated VR exhibits to the Verzio Human rights documentary festival. In 2015, VR’s second wave was ushered in by a human rights documentary that its director, Chris Milk, believes established VR as an Empathy Machine. Milk had good rhetoric, since nobody wants […]

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“Our goal is to make people forget the use of technology in our immersive experiences” – Frederic Lecompte (BackLight)

Paris-based production studio, BackLight specializes in entertainment content for the LBE market, being both present in arcades (in Europe or at Area15 in Las Vegas) but also on more artistic projects such as Blanca Li’s LE BAL DE PARIS –

PHI, Felix & Paul team up to bring you closer to the infinite space in 2021

PHI Studio and Felix & Paul Studios announce the first joint venture in their history to create and market large-scale immersive (...)

Museum of the Moving Image (New York) presents an exclusive exhibit for ON THE MORNING YOU WAKE and social impact

Museum of the Moving Image will present On the Morning You Wake to Nuclear Threat: Exploring Social Impact Through Virtual Reality from January 20 to February 12. Co-presented by Games for Change, the exhibition features screenings of ON THE MORNING

FreeRoaming #02 – Scaling Immersion: How Müzeverse Turned Istanbul into a VR Destination

Müzeverse, now the main operator for immersive experiences in Istanbul and Türkiye, was engineered, step by step, in a city that had all the ingredients for immersive entertainment yet strangely few places to actually live it. In barely a couple

Post Reality and No Normal: NEWVIEW AWARDS are back!

Psychic VR Lab Co. Ltd. has today announced the return of the annual NEWVIEW AWARDS. This year will see a global panel of judges select the best AR, VR and MR artistic creations and determine the winner of the GOLD

Lincoln Center as an Open-Air Immersive Lab: Jordana Leigh’s Method for Bringing XR Into the Season

Immersive work is no longer a side attraction tacked onto a performing arts calendar. At the Lincoln Center for the Performing Arts in New York, it is increasingly treated as a programming language—one that can expand access, strengthen community ties,