“FREE UR HEAD emerges as an experiment on the power of the individual over the collective” – Tung-Yen Chou (Very Theatre)

Mathieu G.

A leading director on the Taiwanese and international scene, founder of the Very Mainstream Studio and Very Theatre in Taipei, Tung-Yen Chou is no stranger to the immersive sphere. Although his use of technology is already apparent in his theatrical and performance practice, his trilogy IN THE MIST (2020) / GAZING, IN THE MIST (2023) […]

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Everything You Need To Know – Facebook Connect 2021

This week Facebook Connect 2021 happened. On this occasion, and while the event has been taking place online for 2 years, Mark Zuckerberg announced a new step towards virtual worlds by renaming his company “Meta”. Surprise. Meta (Facebook) is buying

“Music to create perspective within the arts”- Serge Vuille (LOCUS SOLUS – GIFF x ENSEMBLE CONTRECHAMPS)

This year, the GIFF (Geneva International Film Festival) teamed up for the first time with the contemporary music ensemble Contrechamps to present an ambitious immersive concert experience. The result was three original works created specifically for VR and live performance,

“VR offers a much deeper and intimate connection to the audience” – German Heller (PAPER BIRDS)

Whenever I try VR, there is one thing I cannot help but be fascinated by. It is the way it takes you to a different world than you are (...)

“We are now thinking about the philosophy behind VR and the stories we want to tell with it” – Uri Kranot (WE ARE AT HOME)

After its success at the Tribeca Film Festival and NewImages in Paris, WE ARE AT HOME, by filmmakers Michelle and Uri Kranot, entered the Inter:Active section of CPH:DOX 2022, which recently ended. An in-depth look at this work for those

“In my mind, immersion will happen. It will spread.” – Mathieu Pradat (THE ROAMING VR)

Going back to Mathieu Pradat's THE ROAMING at Venice Virtual Reality 2018.

“We are a sandbox for creative people from different artistic backgrounds who want to explore immersive storytelling” – Astrid Kahmke, Sylvain Grain (European Creators’ Lab x Stereopsia)

Dissecting the grammar of an immersive project from the start: this is the subject of many creative workshops that allow artists and producers to take the time to work on the development of their experience. Among these workshops, EUCL (European