“There are a lot of opportunities in Africa for immersive storytelling” – Ingrid Kopp (Electric South)

Between innovation and art, the world is its playground, and we keep looking for talent everywhere. Africa is a great place of (...)

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Decoding XR: from VR to dome adaptation, with Claudix Vanesix, Avinash Changa (FEEDBACK VR, UN MUSICAL ANTIFUTURISTA)

In 2018, IDFA DocLab launched a partnership with the Artis Planetarium to present dome-based immersive artworks during the festival. Some selections are expressly designed for dome projections, while others are installation or headset-based DocLab selections, adapted through an initiative of

Inside Venice Gap Financing 2023: AN EMPTY SEAT (Art et essai, Makropol)

The Venice Gap-Financing Market returns for its 10th edition (Sept. 1-3), with a selection of 14 immersive pieces and 11 Biennale College Cinema – Virtual Reality projects that will have the opportunity to close their international financing, through one-on-one meetings

No borders for the 3rd edition of NewImages

From September 23 to 27 2020 (Paris, France) - Entirely dedicated to the digital and virtual worlds (VR, AR, mixed reality, mapping, (...)

A Step Toward The OASIS (1/5): A Mirage

“We aim to create a platform like OASIS.” – If you are interested in the XR industry as of 2020, you may have heard this quote at least once, or even said it yourself. Has the concept in a specific

“This year we are deploying two events around new and innovative cultural experiences, for professionals and the general public” – Maïté Labat (Sunny Side of the Doc, PiXii Festival)

In 2023 the Sunny Side of the Doc – one of the essential documentary events in the world – continues to support new formats and immersive, but in a new approach. Separating the professional from the general public, two events

“We believe in the idea of a slow culture, where festivals have a real role to play in disseminating new forms of artistic expression.” – Lars Rummel, Weronika Lewandowska (DOK Leipzig)

The DOK Leipzig festival has been programming immersive content since 2015. Quite an old hand in the field! With a dedicated section, and a market for new writing (since 2020), the German event is a real rendez-vous on the fall