”We are creating the blueprint as we go along” – Tulanana Bohela (Tanzania)

Tulanana Bohela is a Tanzanian entrepreneur, journalist and filmmaker.

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Montreal welcomes the PHI-IMMERSIVE RESIDENCY, an annual residency for XR artists or collectives

PHI-IMMERSIVE RESIDENCY is an annual eight-week program that specializes in the developmental phases of an immersive or interactive artwork. The recipient will receive personalized support throughout the process and the tools necessary to develop and elaborate their concept to prepare

“This experience is a metaphor for how care can heal society” – Melodie Mousset (EMPATHY CREATURES)

We recently had the opportunity to reconnect with Melodie Mousset and dive back into EMPATHY CREATURES, a work reflecting on the importance of care in both personal and collective wellbeing, first presented at Venice Immersive 2025. At GIFF 2025, we

“Animation was a key element to create emotion” – Audrey Pacart (MARCO & POLO GO ROUND)

Producer between France and Canada, Audrey Pacart is passionate about innovation. From projects (MARCO & POLO GO ROUND) to events (Tribeca Immersive, the KIF in France this fall), she is involved in both the narrative and the setting up of

“FREE UR HEAD emerges as an experiment on the power of the individual over the collective” – Tung-Yen Chou (Very Theatre)

A leading director on the Taiwanese and international scene, founder of the Very Mainstream Studio and Very Theatre in Taipei, Tung-Yen Chou is no stranger to the immersive sphere. Although his use of technology is already apparent in his theatrical

Strong presence of Floréal Films at Venice VR Expanded

Floréal Films is proud to reveal two new VR pieces, selected within the official competition of the Venice International Film Festival (...)

“Creating interactions that enhance the narrative, not pull focus from it” – Allison Crank (UX / XR designer)

Today we meet Allison Crank, UX designer and researcher whose work in immersive technologies (the most recent with IMPULSE: PLAYING WITH REALITY, currently at the Venice Film Festival) teaches us how the language of user interaction connects to the core