“JFK MEMENTO is a true immersive archaeology process” – Chloe Rochereuil, Victor Agulhon (TARGO)

Mathieu G.

French documentary filmmakers Chloe Rochereuil (director) and Victor Agulhon (producer) have been churning out eventful releases on the Meta platform for the past 3 years. Their film SURVIVING 9/11 already demonstrated the importance of exploring key dates in history, and JFK MEMENTO continues in this direction. More than just a film, it's an exploration of […]

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“I like to think of the way I work like a theatre workshop” – Michael Beets (THE UNKNOWN PATIENT)

Every year, on November 11, the world celebrates the end of the First World War. Last year XRMust dedicated an article to its (...)

BLACK MIRROR expands into Location-Based VR with a first stop in Montreal

The universe of BLACK MIRROR is venturing into the realm of free-roaming immersive experiences with THE BLACK MIRROR EXPERIENCE, a new production set to debut in Montreal in May 2026. This initiative is produced by Banijay Live Studio in collaboration

“Growing up in the VR world, growing up in the story” – Lou Ward, Shimon Alkon, Lara Bucarey (Tinker Studio)

In the lineup of the New Frontier section at Sundance Film Festival, TINKER is an un unscripted and interactive, virtual reality theatre performance about Alzheimer’s, relationships and building memories together. The moment that really marks the beginning of the new

XR Backstory: CONTINUANCE, by Stratéolab

CONTINUANCE, produced by Stratéolab for La Pulperie, a museum in the Saguenay region, is a virtual reality experience based on (...)

“My films tend to question the spectator on the state of the world and his capacity to change it” – Hsieh Wen-Yee, Sebox Hong (LIMBOPHOBIA, LIMBOTOPIA)

At the last NewImages festival in Paris, the Marketplace’s professional sessions featured the presentation of up-and-coming XR projects. Among these projects was Hsieh Wen-Yee’s LIMBOPHOBIA, the second part of a triptych (and a universe) that opened with its first chapter,

One big family: Onassis, ONX and the intersection of culture, technology and art

The Onassis Foundation has a big mission: to be a catalyst and embrace constant innovation and creative disruptions that will lead to a better society. And while this is a tall mission for any cultural organization, for the past 50