“We knew we wanted to blend 360-degree visuals and animation to transform our reality” – Josephine Anderson, Claire Sanford (TEXADA)

TEXADA, an IDFA DocLab 2023 selected experience, is a VR documentary that contrasts two experiences of time: the human and the geological. The human experience of time is relative, but it is nothing compared to the timescale of the limestone being excavated on the Canadian island of Texada. The film alternates between shots of the […]

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Decoding XR: a CPH:DOX Inter:Active 2021 commentary with Mark Atkin

A few days before the next CPH:DOX documentary festival (April 21 – May 12) we continue our discussion with Mark Atkin, its interactive programmer, about the works selected for this 2021 edition. No spoilers, but don’t miss them as every

“Non solo un momento di ideazione, ma una vera e propria fase di sviluppo per costruire solide fondamenta ai progetti selezionati” – Maïwenn Blunat (CPH:LAB)

Bentornato, CPH:LAB! Dopo aver seguito da vicino l’edizione 2022-2023, non potevamo *non* parlare di nuovo del programma di sviluppo creativo di CPH:DOX, che “incoraggia l’assunzione di rischi creativi, celebra i talenti grezzi, facilita la collaborazione al di là dei confini

Chasing dreams and identities – An interview with the creators of FIND WIILII – EP.1 THE GATE-CRASHER

FIND WIILII – EP.1 THE GATE-CRASHER, is a live, hour-long immersive experience where three audience members join two professional actors on a futuristic narrative journey in a virtual reality. The premise for the show is as follows: A sci-fi immersive

“To travel back in your imagination and memories and relive them” – Ana Ribeiro, Ricardo Justus, Ricardo Laganaro (PIXEL RIPPED 1978)

Following the recent announcement of their presence in the Venice Immersive 2023 lineup as one of the 10 immersive experiences selected for the “Best of” section, we bring you XRMust’s interview with the Pixel Ripped 1978 team. Find out how

“LE BAL DE PARIS DE BLANCA LI is a multi-user live show in virtual reality” – Jonathan Tamene (BackLight)

There’s no stopping BackLight! The French studio spread its wings despite Covid, installing one of its OZ rooms in Las Vegas (and soon in Europe) and taking BLANCA LI’s PARIS BAL to Venice for the Biennale – where the project

XR Through The Womanist Gaze 3/3: Preserving Women Music History, with Yolanda Barton

Globally, music has been a great source of entertainment, a form of artistic expression and a medium of cultural exchange. Music history cannot also be discussed without reference to great women who have contributed immensely to the growth of the