“We knew we wanted to blend 360-degree visuals and animation to transform our reality” – Josephine Anderson, Claire Sanford (TEXADA)

TEXADA, an IDFA DocLab 2023 selected experience, is a VR documentary that contrasts two experiences of time: the human and the geological. The human experience of time is relative, but it is nothing compared to the timescale of the limestone being excavated on the Canadian island of Texada. The film alternates between shots of the […]

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“The history of music is the history of its technological innovations” – Roman Rappak (RISTBAND)

After a successful presence at SXSW, immersive technology and creative studio Ristband just visited GITEX Africa, Morocco, where it presented its AI-Driven Immersive Concert. Recently, they headed to the Shanghai International Film Festival where their mixed reality concert and standalone

“I strongly believe VR is here to bring people together, to challenge their perceptions of the world” – Ulrich Schrauth (LFF Expanded 2021)

This year’s BFI London Film Festival continues its commitment to new mediums and storytelling, with the second year of LFF Expanded, featuring 18 VR/AR and immersive audio projects taking place in physical locations in London and on the Expanse platform

“We knew we wanted to blend 360-degree visuals and animation to transform our reality” – Josephine Anderson, Claire Sanford (TEXADA)

TEXADA, an IDFA DocLab 2023 selected experience, is a VR documentary that contrasts two experiences of time: the human and the geological. The human experience of time is relative, but it is nothing compared to the timescale of the limestone

“We want to prove there is some viability in the XR creative process” – Mads Damsbo, Mikkel Skov (MAKROPOL 1/2)

Producer of digital content since 2011, the Danish company Makropol has experimented on all media: LBE since 2014, VR film… On the occasion of the release of their latest productions (END OF NIGHT, ARTIFICIAL AWAKENING, SHADOW…), we met Mads Damsbo,

Press release: XRMust.com as your primary source of information for narrative and immersive storytelling

It’s a story of virtual encounters. It’s also a project we built around the idea that the XR creative industry needed an online source of information regarding all VR, AR, MR projects and creators. We are just getting started, and

Studio 44 MocapLab: a digital studio for creation in Geneva, by Cie Gilles Jobin (2/2)

One of the most internationally renowned artists at the crossroad of choregraphy and technology, Gilles Jobin has been exploring the “Territoires Digitaux” of dance long before COVID profoundly impacted the world of performing arts. With works featured at major immersive