First seen at the latest Venice Immersive, THE TIME BEFORE by filmmaker and animator Leo Metcalf is a deeply moving story told from a child’s perspective. Combining poetic storytelling with carefully crafted interactive design, the work explores memory, consciousness, and the fragility of perception through a hybrid of 2D animation, 360° video, and real-time interaction. […]
The server’s on fire and we’re looking the other way? This misleading phrase caustically reflects the digital and ecological challenges ahead. At present, the environmental impacts of XR are not compatible with the decarbonization objectives and trajectories defined for the
Margherita Bergamo (choreographer) and Daniel González (VR interaction designer) made a name for themselves in 2019 with their live performance EVE, DANCE IS AN UNPLACEABLE PLACE which won both the Grand Prix at the Kaohsiung Film Festival and Recto VRso
XRMust is at the Kaohsiung Film Festival this year, covering the event and in particular its XR Dreamland section, at the invitation of the French Office in Taipei. It’s also an opportunity to take a look back at the teams
By turns a virtual reality animated film, an interactive pop culture experience or a work with an impact on the place of women in our societies (by questioning our view of female menstruation in adolescence), MAYA: THE BIRTH OF A
Presented at 2022 SXSW, the second episode of (Hi)story of a Painting celebrates the life and art of Italian painter Artemisia Gentileschi, using an approach that makes art history more accessible and interesting especially for younger generations. A few days