“With COLORED, we had to confront the physical space and the presence of an audience” – Pierre-Alain Giraud (Novaya)

NOIRE (COLORED) is an experiment that deals with racism and segregation in the USA in the 1950s - with an uncommon universality, reinforced by the choice of mixed reality. Between real-life settings, multimedia narration and a subject that's still (unfortunately) topical, we take a look back at a work that travelled from the Centre Pompidou […]

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Don’t miss DREAM, a live – motion capture performance by The Royal Shakespeare Company

The Royal Shakespeare Company (RSC), in collaboration with Manchester International Festival (MIF), Marshmallow Laser Feast (MLF) and Philharmonia Orchestra will stage a live performance of Dream using motion capture as the culmination of a major piece of cutting-edge research and

The 360 Film Festival unveils its hybrid 2020 edition

More than 90 creations were received from 22 countries. 23 works were selected including 9 interactive, 9 360 videos, 3 Large Formats (...)

Decoding XR: MEET MORTAZA, Josephine Derobe

After its premiere during the last Venice VR (Expanded) festival, Josephine Derobe’s MEET MORTAZA will continue its journey in festivals for 2021 – notably in selection at FIPADOC Smart and the next South By Southwest (SXSW). With MEET MORTAZA Joséphine

XR Folks: let’s connect at Luxembourg City Film Festival 2023!

Just before SXSW in Austin, it’s Luxembourg that’s ringing the bell for the XR creative community by offering (as it has since 2017) a competition around immersive experiences (VR, AR, audio…), prizes and a VR Day dedicated to talks and

Embodied Realms, a new event to awaken immersive art in Central Europe

Joanne Popinska (Polish-Canadian XR creator and curator) and Weronika Lewandowska (Polish XR creator and curator) are hard at work as autumn draws to a close. After participating in the production of several European events (including the latest DOK Leipzig edition),

Poetics and the New Opening of Greece’s Immersive Scene

In this conversation with Byron Chrysovergis, founder of Poetics, what emerges is not the portrait of a market already in place, but of a country where new openings are starting to appear for immersive exhibitions. Greece does not yet have