Preview/ MONS VENUS, with Paula Orlando (creator) and Rocio Pichirili (producer)

Dealing with the question of pleasure (physical, emotional...) in virtual reality is a real question for creators, but an obvious destination when working with a medium that can manipulate the senses. By confronting the viewer with his or her own sensory questions, the VR medium is able to offer a real look at what makes […]

---

Not gonna lie: this part is locked 😬

Memberships help us keep XRMust independent and keep the project growing.

👉 Log in or subscribe to read the full article. Or go back to the homepage.

@ Magazine

“We are reaching a moment of consolidation in immersive creation where quality is key” – Blake Kammerdiener (SXSW 2023)

For its 2023 edition, SXSW is the first major international event for immersive creation. However, we don’t change a formula that works. And it’s an abundant formula, between a Competition, an Off-Competition, a series of Convergence conferences, and all the

Crafting Immersive Narratives: Technology, Expression, and Artistic Responsibility with Claudix Vanesix

The inclusion of guest artists at California Institute of Arts offers a rich opportunity to foster intercultural exchange, enhance student-initiated events, and extend invitations to broaden the scope of creative practice. Zelia ZZ Tan, as an interdisciplinary artist and an

“You must be willing to take a leap of faith to commit to a virtual journey.” – Darren Emerson (IN PURSUIT OF REPETITIVE BEATS)

Darren Emerson wins IDFA's "Award for Immersive Non-Fiction" with his latest immersive experience, IN PURSUIT OF REPETITIVE BEATS.

“We wanted to have the ability to film in VR as close as possible to the dishes” – Chloé Rochereuil, Victor Agulhon (BEHIND THE DISH)

Filming reality for virtual reality is often an outward-looking exercise. With their previous film, SURVIVING 9/11, the French company TARGO reconstructed the New York of 2001. Their latest production, BEHIND THE DISH (in 3 episodes), turns the camera towards a

TAICCA (Taiwan) presents its 2022 Venice Immersive / Production Bridge line-up

In the spotlight this year at the invitation of the 2022 Venice Production Bridge (VPB) of the prestigious Venice International Film Festival are several projects from Taiwan. A total of five films and four immersive projects have been selected for

“We must learn from theatre to shape the story” – Valentina Paggiarin (DREAMS OF BLUE)

In 2017, one of the works selected for the VR Days Europe was DREAMS OF BLUE, directed by Valentina Paggiarin, an Italian interactive (...)