“Create an experience, not a film” – Jonathan Griffith (TOUCHING THE SKY)

Mathieu G.

Based in Chamonix, Jonathan Griffith is one of the most renowned photographers and filmmakers in the world of mountaineering. An experienced climber and regular contributor to Meta and Red Bull, he has been pushing the boundaries of immersive filmmaking for several years with films such as EVEREST VR, THE SOLOIST VR, and the recent TOUCHING […]

---

Not gonna lie: this part is locked

Memberships help us keep XRMust independent and keep the project growing.

@ Dabatase

@ Magazine

“You must be willing to take a leap of faith to commit to a virtual journey.” – Darren Emerson (IN PURSUIT OF REPETITIVE BEATS)

Darren Emerson wins IDFA's "Award for Immersive Non-Fiction" with his latest immersive experience, IN PURSUIT OF REPETITIVE BEATS.

“Stories that are important for me to tell are often stories that take me out of my comfort zone” – David Adler (END OF NIGHT x SHADOW)

When history reveals its human soul: a closer look at the content and meaning of END OF NIGHT and SHADOW, recently presented at CPH:DOX Inter:Active Did you study history when you were in high school? I remember it was one

“We wanted to hold this virtual world in our hands” – Raqi Syed, Areito Echevarria (MINIMUM MASS)

Long-awaited interactive experience MINIMUM MASS (Selected at New Frontier Story Lab 2018, winner of the Cristal for the Best VR Work (...)

Exploring the evolution of immersive performance with the creators of UNCANNY ALLEY: A NEW DAY (part 1)

It’s just days before the Venice Film Festival begins, and a dear friend of mine who works in film criticism and I receive an invitation to one of the press premieres for the live immersive show UNCANNY ALLEY: A NEW

“I always try to bring visual poetry to our animation projects” – Amaury Campion (Studio Geppetto)

Studio Geppetto is a French creative studio specializing in animation and motion design for narrative projects in virtual reality—but that’s not all. We talk to the studio’s founder, Amaury Campion, who is attending Venice Immersive this year with two projects:

Sebastiano Vitale: staging AI at architectural scale

At The New Atlas of Digital Art – Immersive Frontiers in Milan last June, hosted by MEET, the term “immersive” is not treated as a trend but as a production reality: works are judged by their ability to hold attention,