Koncept VR, a premier production company headquartered in New York, is renowned for its expertise in crafting immersive 360-degree films and cutting-edge XR content. Among its recent projects are notable 360 documentaries such as MLK CONVERGENCE, OMAHA BEACH, and THE SIEGE OF BASTOGNE. Led by the accomplished researcher, director, and screenwriter, Uli Futschik, alongside DP […]
Although festivals have been back in person for some time now, this past edition of Tribeca was my first experience attending a in-person XR festival outside of my hometown of Montreal. More importantly, this was also my first time attending
Is immersive technology bringing film formats back into fashion? While all location-based experiences are on the rise and consolidating their place in the market, video seemed less attractive, between difficulties accessing stores and the stranglehold of real-time engines on productions.
Presented at Tribeca Immersive 2022, IAGO: The Green Eyed Monster is a prequel to Shakespeare’s Othello that uses music and AR to turn the tables and offer a different perspective on the main antagonist, Iago. We discussed it with Julian
The Cannes Film Festival returns in July for a very special edition. Its professional counterpart, the Market, has also had to adapt – from 2020 – to anticipate the problems of a health situation that was still unknown when the
Studio Geppetto is a French creative studio specializing in animation and motion design for narrative projects in virtual reality—but that’s not all. We talk to the studio’s founder, Amaury Campion, who is attending Venice Immersive this year with two projects: