“Our intention, with Édith Canat de Chizy, is to keep the audience close to the performer.” – Blanca Li (THE SHADOW)

Laurent Catala

Presented as part of the IRCAM’s Manifeste 2025 festival, THE SHADOW is an augmented dance piece created by choreographer Blanca Li, incorporating mixed reality on stage with both headset-equipped audience members and live performers. It’s a way of questioning the relationship between dance and new immersive technologies—an area that leaves the Franco-Spanish artist anything but […]

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“We decided to create an experience on the need to get rid of prejudices as humanity” – İrem Çoban (SIGIL)

Despite the growing sense within me that creative XR is dominated by a few particularly indulgent markets, a compelling case can be made that the sector has never been more internationally represented and inclusive. Perhaps as a sustainable result of

”I want to move forward and dive into the interactivity” – Alexandre Perez (SEANCE 129, SERGEANT JAMES)

Alexandre Perez's SEANCE 129 is a history peace about WW1.

“My films tend to question the spectator on the state of the world and his capacity to change it” – Hsieh Wen-Yee, Sebox Hong (LIMBOPHOBIA, LIMBOTOPIA)

At the last NewImages festival in Paris, the Marketplace’s professional sessions featured the presentation of up-and-coming XR projects. Among these projects was Hsieh Wen-Yee’s LIMBOPHOBIA, the second part of a triptych (and a universe) that opened with its first chapter,

CPH:Lab 2023: NËPP NËPPËL, GHOST GENES, BABEL (part 3)

Over the last two weeks, we have presented 6 of the 9 projects developed within the CPH:Lab in Copenhagen. Today we discover the last three, while waiting for the new call for the next edition of the programme. The role

“We are now thinking about the philosophy behind VR and the stories we want to tell with it” – Uri Kranot (WE ARE AT HOME)

After its success at the Tribeca Film Festival and NewImages in Paris, WE ARE AT HOME, by filmmakers Michelle and Uri Kranot, entered the Inter:Active section of CPH:DOX 2022, which recently ended. An in-depth look at this work for those

“To promote our LBVR management platform, we produced our own content” – Frederic Sanz (Univrse)

LBE virtual reality has a bright future ahead of it: the success of large-format exhibitions and events is convincing large audiences to immerse themselves in new experiences. In Spain, Univrse is leading this movement, with projects ranging from the commercial