Editorial⎜Is getting stood up in the virtual world better or worse than in real life?

Or if your date or encounter just doesn’t deliver what you had hoped from the other person? Could you still enjoy the experience even if it wasn’t magical? Cover: COLLECTIVE BODY, by Sarah Silverblatt-Buser As the XR pendulum swings back from cold technology to the infiltration of the human connection, it grapples with the difficulty […]

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On the immersive projects selected for 2022 Venice Gap-Financing Market

From September 2 to September 4, La Biennale di Venezia will host the 9th edition of the Venice Gap-Financing Market. Find out more about the 16 immersive projects selected for this 2022. Nine years ago, in order to fill a

“To bring people in inaccessible physical and emotional spaces” – Sam Wolson (Reeducated)

Part of the lineup for the Virtual Cinema Competition at SXSW Online 2021, Reeducated, directed by Sam Wolson and based on the research and reporting of Ben Mauk, is immersive journalism at its best: a VR piece that makes you

LUSTRATION (Episode 1) is now available on Oculus TV

New Canvas today announced the Oculus TV premiere of episode one of its ground-breaking, immersive series LUSTRATION following its world premiere at SXSW 2022. The virtual reality-based series is now available to audiences for viewing today and marks the first

“A film about love, the love that binds us to the people we care about most” – Darren Emerson (LETTERS FROM DRANCY)

One of the most loved immersive experiences at the Lazzaretto Vecchio, where it had its world premiere, LETTERS FROM DRANCY is a deeply moving piece about the relationship between a mother and daughter separated by the tragedy of the Holocaust.

“I wanted to imagine an experience that would allow us to better express our identity through our physicality” – Sarah Silverblatt-Buser (COLLECTIVE BODY) 

COLLECTIVE BODY is a multi-user virtual reality dance project that is having its world premiere at Venice Immersive (Competition) this week, before opening at the Lincoln Centre for the Performing Arts in New York this October. We meet creator and

“Shifting the focus of the story from interaction to narrative” – Mathieu Pradat (THE ROAMING)

Presented for the first time at the Venice Biennale in 2018 (see our interview at that time, one of our first!), THE ROAMING is back! And this time Mathieu Pradat ‘s fascinating virtual and physical installation will delight the Cannes