“Immersive experiences shall open up multi-layered discussions between all generations, between all perspectives of this world” – Ioana Mischie (HUMAN VIOLINS – PRELUDE)

Mathieu G.

Ioana Mischie is a Romanian-born transmedia artist and futurist, active in the field for almost 12 years. She is also founder of the Storyscapes collective, which emerged as the first association focussing on transmedia storytelling in the country, paving the way for new genres and pioneering narrative structures and she serves as a lecturer at […]

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“We had to find the balance between the truth of History and a 360 film set up” – Chen Singing (THE MAN WHO COULDN’T LEAVE)

Noticed in selection at Venice Immersive 2022, THE MAN WHO COULDN’T LEAVE is one of the three Taiwanese works in Competition. A second VR film for filmmaker Chen Singing (AFTERIMAGE FOR TOMORROW) who fully embraces the medium to revisit the

“Our stories are always an experimental adventure!” – Eric Darnell, Larry Cutler (Baobab Studios)

For 5 years (happy anniversary!) Baobab Studios has been exploring virtual reality animation for young and old through a series of films that are as engaging as they are visually successful. Going through a year marked by a global health

“A project to grasp the depths of the human psyche” – Jane Rzheznikova, Alina Mikhaleva (LIBRARY OF DREAMS)

Following the world of immersive workshops closely, one of the projects that has recently caught our attention is LIBRARY OF DREAMS created by Jane Rzheznikova and produced by Alina Mikhaleva Savelyeva. We interviewed Jane and Alina to find out more

LA MAGIE OPÉRA, Staging prestige and institutional VR production

Co-produced byBackLight, the Paris Opera, andVIVE Arts, LA MAGIE OPÉRA continues the trajectory of a French studio that has successfully turned virtual reality into a collective and immersive spectacle. Presented at the Palais Garnier as part of the program celebrating

Exploring Expanded Narratives: A Conversation with Nancy Baker Cahill

I encountered Nancy Baker Cahill’s work through a seminar at CalArts, where she shared her expansive approach to AR sculpture, expanded cinema and analog relationships with land. What struck me was not just the scale of her projects but her

“You don’t need to show violence to engage an audience in VR” – Gayatri Parameswaran, Felix Gaedtke (YOU DESTROY. WE CREATE.)

Russia has been waging war in Ukraine since 2014. Capturing the reality of this tragedy cannot be done exclusively through television news; it is also a work of documentary filmmaker, with different views on the daily life of a war