THE WORLD CAME FLOODING IN: Isobel Knowles & Van Sowerwine on Crafting Climate Memory in Immersive Storytelling

Between meetings at IFFR, the conversation with Isobel Knowles and Van Sowerwine quickly moved beyond the usual “how did you make it?” Because THE WORLD CAME FLOODING IN isn’t just another XR title on a festival slate. It’s a deliberate attempt to stage the afterlife of a climate disaster—the 2022 floods in eastern Australia—using immersion […]

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“The Strong Presence of Women Artists in Our Selection Illustrates the Spirit of the Festival” – Ana Brzezińska (Tribeca Festival)

This year’s Immersive program at the Tribeca Festival runs from June 9 to 17, featuring a tighter selection of projects and highly anticipated titles. Ana Brzezińska, an Immersive Curator celebrating her second edition at the New York event, reflects on

“A focus on cross-arts programming, with immersive being the sixth art form” – Luke Kemp (Barbican Immersive)

As we await the opening of an exciting new exhibition at London’s Barbican Centre, titled Feel the Sound (May 22 – August 31), we had the chance to speak with Luke Kemp, Head of Creative Programme, Immersive. Our conversation was

TAICCA (Taiwan) presents its 2022 Venice Immersive / Production Bridge line-up

In the spotlight this year at the invitation of the 2022 Venice Production Bridge (VPB) of the prestigious Venice International Film Festival are several projects from Taiwan. A total of five films and four immersive projects have been selected for

Decoding XR: THE PANTHEON OF QUEER MYTHOLOGY, Enrique Agudo

We discovered Enrique Agudo’s last immersive work during the online Tribeca 2020 edition where it got its World Premiere. Since then this visual and narrative mosaic has been selected in several festivals. We had a chance to discuss with its

“We aim to represent the state of the art of the XR industry” – Alain Gallez, Alexandra Gérard (Stereopsia EUROPE)

Stereopsia returns in 2021 twice as much as before the pandemic: if the traditional edition Stereopsia EUROPE takes place as usual in December (8-10), the Belgian team of the event has just concluded its first Stereopsia LATAM in Chile. A

“The aim was above all to bring our artistic and critical eye to bear on these avant-garde creative territories” – Marc Da Costa, Matthew Niederhauser (TULPAMANCER)

Artificial intelligence has made its nest on the island of Venice Immersive 2023. The rapid expansion of AI-related technologies – and the artistic works that incorporate them – couldn’t avoid one of the XR events of the year. Meet Marc