“We knew we wanted to blend 360-degree visuals and animation to transform our reality” – Josephine Anderson, Claire Sanford (TEXADA)

Dane Christensen

TEXADA, an IDFA DocLab 2023 selected experience, is a VR documentary that contrasts two experiences of time: the human and the geological. The human experience of time is relative, but it is nothing compared to the timescale of the limestone being excavated on the Canadian island of Texada. The film alternates between shots of the […]

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“With LES AVEUGLES, it is the strength of a great classic text that unleashes innovation and the use of technology” – Julien Dubuc (INVIVO)

Innovation and virtual reality in live performance are a field of exploration for many. As far as the Lyon-based collective INVIVO is concerned, this has been a constant approach for almost ten years. Their latest show LES AVEUGLES, currently on

XR and documentary director Joe Hunting is launching a new VR production company: Painted Clouds

Joe Hunting, director of the acclaimed HBO documentary We Met In Virtual Reality is launching PAINTED CLOUDS, a production company dedicated exclusively to VR filmmaking. PAINTED CLOUDS is a visionary production studio with a focus on creating original films and

“A lab to dig down to the core of the story and break down expectations about immersive productions” – Mads Damsbo (EUCL)

The European Creators Lab, which for years has supported artists from a wide variety of fields in developing their immersive projects, is back for 2024. The new call to participate in next April’s Development Lab is now open, and you

“To create an experience that gives you a sense of shelter, where you are no longer judged” – Ana Brzezińska (Tribeca Immersive 2024)

Kicking off next June 6 is the 13th edition of Tribeca Immersive: an innovative program in a brand new location that we can’t wait to discover. We met with curator Ana Brzezińska to discuss the undoubtedly innovative approach she took

At the Cannes Film Festival, an all-in-one immersive white box—is it set to become the new standard?

With its two key pillars — an immersive selection and a market bringing together international professionals — the third edition of the Immersive Competition confirms the growing role of immersive creation within the cultural and creative industries. This year, the

Lincoln Center as an Open-Air Immersive Lab: Jordana Leigh’s Method for Bringing XR Into the Season

Immersive work is no longer a side attraction tacked onto a performing arts calendar. At the Lincoln Center for the Performing Arts in New York, it is increasingly treated as a programming language—one that can expand access, strengthen community ties,