“I want to create works where the body becomes a source of doubt, perception a game of vertigo, and fear a subject for reflection”—Adelin Schweitzer (THE SUTHERLAND TEST)

Mathieu G.

For more than twenty years, Adelin Schweitzer has been carving out a unique niche in the world of immersive and performing arts. Founder of the Deletere Laboratories in Marseille (see our previous interview), he strives to divert technology from its expected uses and transform it into a critical and poetic space. His most recent work, […]

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EXCLUSIVE! The all-new Depthkit Studio – making volumetric video capture 10x faster – is now available

New Depthkit Studio release is available now, featuring enhancements for fast hardware configuration and multi-camera calibration. Today, leading volumetric video software developer, Scatter released updates to Depthkit Studio (link) that makes it 10x faster to set up a capture stage.

Backlight announces OZ EXPERIENCE, an all-in-one entertainment LBE catalog

With the launch of its new offer OZ Experience, BackLight wants to enhance its own in- house licenses and its positioning on the market of Location Based Entertainment Virtual Reality (LBE VR). For the first time, BackLight creates a separated

Edito⎜XR, accessibility and inclusion: a world that’s too virtual?

(This article was originaly published in French) If accessibility, enshrined in French law, is everyone’s business, what is it like in the world of XR? Embracing the themes of accessibility and inclusion brings to light a wide range of issues,

LA MAGIE OPÉRA, Staging prestige and institutional VR production

Co-produced byBackLight, the Paris Opera, andVIVE Arts, LA MAGIE OPÉRA continues the trajectory of a French studio that has successfully turned virtual reality into a collective and immersive spectacle. Presented at the Palais Garnier as part of the program celebrating

A Step Toward The OASIS (4/5): Business Model

Who are capitalizing on the OASIS? And how? Everything is changing at a terrifying speed. During the past two months, it seems as if the term ‘metaverse’ has begun to parallel the ‘the 4th Industrial Revolution’. Major publications are featuring

“I realised that, in a virtual environment, I needed to give the dancers more conceptual content” – Gilles Jobin (COSMOGONY)

I spoke with Gilles Jobin, dancer, choreographer and technologist, about his company’s extraordinary work in the live performance space. Compagnie Gilles Jobin is working on a VR project called SUNSET MOTEL with Swiss illustrator, Thomas Ott, that is currently in