BOZAR: anatomy of an institutional model for European immersive art
European XR is going through a gray area: ambitious works are proliferating, festivals are multiplying, public funding is…
LA MAGIE OPÉRA, Staging prestige and institutional VR production
Co-produced byBackLight, the Paris Opera, andVIVE Arts, LA MAGIE OPÉRA continues the trajectory of a French studio that…
Scientific truth and immersive illusion: XR, the test of reality
Extended reality is not just a new visual language. It is also a field where tensions between scientificity,…
Supporting creative diversity: When NewImages Festival re-examines narratives
The 8th edition of the NewImages Festival opens its doors to professionals and the general public from Wednesday…
Editorial⎜Innovation: 104factory opens its doors
On December 6 and 7, 2024, 104factory opened its doors for the 8th consecutive year of the Open…
Edito⎜Chronique(s) of a Digital Art Biennale
Last month saw the opening of the 3rd Biennale des Imaginaires Numériques organized by Chroniques. Spread over Aix-en-Provence,…
Edito⎜XR, accessibility and inclusion: a world that’s too virtual?
(This article was originaly published in French) If accessibility, enshrined in French law, is everyone's business, what is…