Based in Chamonix, Jonathan Griffith is one of the most renowned photographers and filmmakers in the world of mountaineering. An experienced climber and regular contributor to Meta and Red Bull, he has been pushing the boundaries of immersive filmmaking for several years with films such as EVEREST VR, THE SOLOIST VR, and the recent TOUCHING […]
There was an irony at the core of IDFA’s DocLab programme this year. Distribution, which has long been a topic of conversation in the community, was front and center at its day-long DocLab R&D Summit. A difficult discussion for any
Since 2017, XRMust has been following the evolution of immersive creation across festivals, markets, studios, institutions and independent artistic practices. What began as a dedicated editorial space for XR and new forms of digital storytelling has gradually become a broader
Virtual reality, augmented reality, spatialized soundscapes, interactive screens… What do these immersive technologies have to say about our times ? In the company of artists, authors and thinkers interested, Fisheye is partnering with Gaîté Lyrique to announce a new rendez-vous
S+T+ARTS is announcing the 2025 prize winners. Sarah Ciston is awarded with the Grand Prize – Artistic Exploration for the work ‘AI War Cloud Database’, 2025. ‘Sensing Quantum’ by Light Art Space Foundation wins the S+T+ARTS Prize 2025 – Grand
Museum of the Moving Image will present On the Morning You Wake to Nuclear Threat: Exploring Social Impact Through Virtual Reality from January 20 to February 12. Co-presented by Games for Change, the exhibition features screenings of ON THE MORNING