In 1989, speaking of virtual reality, Jonathan Carey wrote that “spectacular power cannot be reduced to an optical model but is inseparable from a larger organization of perceptual consumption…The full coincidence of sound with image, of voice with figure, not only was a crucial new way of organizing space, time and narrative, but it instituted […]
This year, the GIFF (Geneva International Film Festival) teamed up for the first time with the contemporary music ensemble Contrechamps to present an ambitious immersive concert experience. The result was three original works created specifically for VR and live performance,
VRHAM!, Hamburg’s leading festival for Virtual Reality art, is evolving and will debut as an independent biennale, redefining the landscape of digital and immersive art. From June 11–18, 2025, VRHAM! – Digital and Immersive Art Biennale will transform Hamburg’s Oberhafenquartier
The Metamovie Presents: Alien Rescue recently won the award for Best Multiplayer Experience at the Raindance Immersive 2021 | Raindance Film Festival. Let’s find out how the experience has changed in the two years since its premiere at the 77.
The 24th edition of the Laval Virtual exhibition ended a week ago. The largest European exhibition on virtual and augmented reality offered to discover more than 150 international exhibitors. As every year, the event is an opportunity to discover the
The doors of virtual universes open again at New Frontier, the immersive section of the Sundance 2019’s festival. This year the regulars of the event in Park City will discover 2 sections dedicated to VR & AR content, including a
I PITY THE GARDEN by Tbilisi-based artist duo Mariam Natroshvili and Detu Jincharadze is an immersive artwork about a premonition of the end. Through large-scale video installation and VR experience, the viewer is led into a realm of magical realism