Mafalda: Reimagining Quino’s Comic Strip as an Immersive Cultural IP
Some characters do not simply belong to a catalogue of intellectual properties. Mafalda is one of them. Created…
Category
LATAM Immersive
Articles, interviews and analysis from XRMust.
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“When life gives you lemons, you make caipirinha!” – Marcio Sal (FINALMENTE EU – FINALLY ME)
The international premiere of the animated piece FINALMENTE EU (FINALLY ME) at Venice Immersive 2023 was a success…
“To travel back in your imagination and memories and relive them” – Ana Ribeiro, Ricardo Justus, Ricardo Laganaro (PIXEL RIPPED 1978)
Following the recent announcement of their presence in the Venice Immersive 2023 lineup as one of the 10…
“Latin-American XR creators explore new models of development despite the lack of financing” — Damián Kirzner (Mediamorfosis)
The annual Newimages Festival in Paris dedicated this year one of the sections to the Latin-American XR industry.…
“We bring a lot of our own lives into our characters” – Fabito Rychter, Amir Admoni (LAVRYNTHOS)
If you’ve been around the immersive festivals this year, chances are you’ve come across Fabito Rychter and Amir…
Decoding XR: PAPER BIRDS, German Heller
With a festival tour beginning in 2020 (and ongoing), the two parts of PAPER BIRDS have been available…
“VR offers a much deeper and intimate connection to the audience” – German Heller (PAPER BIRDS)
Whenever I try VR, there is one thing I cannot help but be fascinated by. It is the…
”The limits are being stepped over all the time” – Jorge Tereso & Fernando Maldonado (GLOOMY EYES)
In this exquisite VR experience, it is 1983 on a cold night in Woodland City, and being a…