WIP Annecy 2022 / A look at WALLACE & GROMIT: THE GRAND GETAWAY with Aardman, Atlas V, No Ghost
This year XR@Annecy offered 3 work-in-progress sessions on XR experiences currently in production. Headliners were the protagonists of…
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Interviews, analysis and field notes on immersive creation, XR and location-based experiences.
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“Our priority is to create our experiences for a general audience in cultural venues” – Arnaud Desjardins (Femme Fatale Studio)
From web creation to immersive experiences, Femme Fatale Studio is a collective of French artists and developers built…
“This year we have received many XR impact works” – Yves Nougarède, Gala Frecon (Annecy Film Festival)
The sun was out for the return of a very physical Annecy festival, the most important worldwide meeting…
“AR as a way to reach a wider audience” – Julian Dorado, Camila Marturano (IAGO: THE GREEN EYED MONSTER)
Presented at Tribeca Immersive 2022, IAGO: The Green Eyed Monster is a prequel to Shakespeare’s Othello that uses…
Review⎪LUSTRATION: connecting mainstream audiences to immersive stories
Lustration VR is a 4-episode virtual reality series made using Quill and available on Oculus TV that will…
“Making a 5 episode VR series was an epic production challenge!” – Oriane Hurard, Clement Deneux (MISSING PICTURES)
Several years ago, Atlas V initiated an extraordinary project: to propose a virtual reality series about great filmmakers…
“Redefining the relationship between IRL, online and VR components” – Ana Brzezińska (Tribeca Immersive)
An exciting new edition of the Tribeca Film Festival kicks off today, with an immersive section that reflects…
“Immersive industry grows in contact with traditional cultural institutions” – Stéphane Malagnac (PiXii – Sunny Side of the Doc)
The PiXii Festival is back this year for another 100% physical edition in La Rochelle. Event dedicated to…
Tribeca and SXSW XR alumni BREONNA’S GARDEN continues its journey across the US
Last year, in solidarity with Breonna Taylor’s family, artist and curator Lady Pheønix developed BREONNA’S GARDEN, a revolutionary…
A new study by Quebec/Canada XR takes a unique look at the current state of the XR creative ecosystem
After an unveiling at SODEC's pavillon Québec créatif in the heart of the International Village of the Marché…
A new VR work from Georgia at La Biennale di Venezia: I PITY THE GARDEN (by Mariam Natroshvili and Detu Jincharadze)
I PITY THE GARDEN by Tbilisi-based artist duo Mariam Natroshvili and Detu Jincharadze is an immersive artwork about…
Immersive studio Giioii is adapting theater XR performance WELCOME TO RESPITE for Korea
Digital Broadway emerges as pioneers in the VR theater world team up to bring a show that originated…