“We decided to create an experience on the need to get rid of prejudices as humanity” – İrem Çoban (SIGIL)
Despite the growing sense within me that creative XR is dominated by a few particularly indulgent markets, a…
Magazine
Interviews, analysis and field notes on immersive creation, XR and location-based experiences.
Despite the growing sense within me that creative XR is dominated by a few particularly indulgent markets, a…
If you’ve been around the immersive festivals this year, chances are you’ve come across Fabito Rychter and Amir…
Over the past two years, the link between virtual worlds and live events has become increasingly close. Covid19…
Until 2019 the Venice Film Festival was known to host the virtual reality paradise for all creators, with…
Venice Immersive, the new title of the Venice VR Expanded section, intends to acknowledge the growth of immersive…
Producer of digital content since 2011, the Danish company Makropol has experimented on all media: LBE since 2014,…
Producer of digital content since 2011, the Danish company Makropol has experimented on all media: LBE since 2014,…
Recently, a major report studying what I refer to as the narrative XR arts sector has been published…
Rarely has the political and social context justified the presence of a documentary at the heart of festivals…
Founded by Maria & Jörg Courtial, the German production company Faber Courtial is one of the most prolific…
SPACE EXPLORERS: ARTEMIS ASCENDING to be broadcast on Meta Quest Horizon Worlds, on Facebook 360 and in person…
This year XR@Annecy offered 3 work-in-progress sessions on XR experiences currently in production. Headliners were the protagonists of…