Museu da Imagem e do Som do Ceará: Reflecting on Immersion Through Archives and Territories in Brazil
In Fortaleza, the Museu da Imagem e do Som do Ceará (MIS CE) occupies a distinctive position. It…
Magazine
Interviews, analysis and field notes on immersive creation, XR and location-based experiences.
In Fortaleza, the Museu da Imagem e do Som do Ceará (MIS CE) occupies a distinctive position. It…
Inaugural cohort features newly commissioned works by Trevor Paglen, Maya Man, and Ben Frost, developed through funding, production…
For more than six years, Jason Moore has been pursuing a deceptively simple idea: what if entering a…
Fever is often described, from the outside, as a ticketing platform. For many producers, venues and experience creators,…
With ICE SAILOR and CARBON BLACK, VisionR Agency is exploring a field that remains relatively uncommon in French…
Last year, I had already had the chance to speak with Celine Daemen, in an exchange that later…
Even today, every now and then, I hear someone say that cinema and television are passive media: the…
Some characters do not simply belong to a catalogue of intellectual properties. Mafalda is one of them. Created…
For its 10th edition, Venice Immersive (part of the Biennale Cinema) could have chosen the comfort of a…
The selection of projects for Venice Immersive, the XR – Extended Reality section of the 83rd Venice International…
Following our visit to Rotterdam this winter, IFFR’s position in immersive and expanded moving-image culture feels increasingly clear.…
With MISSION TO THE MOON, presented at the Cité des sciences et de l’industrie, Léa Ducré continues her…