
A Step Toward The OASIS (4/5): Business Model
Who are capitalizing on the OASIS? And how? Everything is changing at a terrifying speed. During the past two months, it seems as if the

Who are capitalizing on the OASIS? And how? Everything is changing at a terrifying speed. During the past two months, it seems as if the

Stereopsia returns in 2021 twice as much as before the pandemic: if the traditional edition Stereopsia EUROPE takes place as usual in December (8-10), the

No need to introduce Felix & Paul Studios, creators of some of the most recognized immersive experiences in the world. From their collaboration with big

In more than 60 years of broadcasting, David Attenborough has travelled the globe to document the living world in all its wonder. Now, with Alchemy

When the 2022 Sundance Film Festival kicks off on January 20, it invites audiences to participate from wherever they are, including in person in Utah.

Curatours, a portal for arts & culture, has launched its first museum, the Museum Of Plastic 2121, a virtual museum based 100 years from now

What are the requirements for the OASIS user experience? The last two posts explored how 1) the OASIS is not a distant future, but an

Dissecting the grammar of an immersive project from the start: this is the subject of many creative workshops that allow artists and producers to take

A year after the ‘Virtually Speaking’ series, Joe Hunting is back with a full-length documentary shot entirely in VRChat: we caught up with him to

Hubblo Immersion is happy to announce the arrival of our eight meter diameter by four meter high mobile dome. Arriving soon, our new customizable application