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“Encouraging an exhibition culture that helps new formats emerge” – Liz Rosenthal (Venice Immersive 2024)
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“Encouraging an exhibition culture that helps new formats emerge” – Liz Rosenthal (Venice Immersive 2024)
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Venice Immersive 2024: rendez-vous on Lazzaretto Vecchio (everything you need to know)
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“With ASTÉRIX: MISSION POTIONS! we want to prove that content is the key element of our strategy” – Benoît Bouthinon (Virtual Room)
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“It seemed essential to us to offer a truly positive and enlightening experience, and not a documentary on the end of life” – Isabelle Andreani (NANA LOU)
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CPH:LAB 2024: Anamnesis, Fay: Carving Memories, Paradise Lost (part 3)
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How can we structure an eco-responsible supply chain for XR?
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“Shifting the focus of the story from interaction to narrative” – Mathieu Pradat (THE ROAMING)
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“With TRAVERSING THE MIST, we share a certain intimacy between each other” – Tung-Yen Chou (Very Theatre)
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CPH:LAB 2024: Follow the carnation, The Bald Altuus, Garden Alchemy (part 2)
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“Our aim is to support a new wave of artists, curate and exhibit innovative stories that resonate with our audience” – David Massey (Wales Millennium Centre)
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“By the end of May 2024, LIFE CHRONICLES will be available in 4 cities in France and internationally” – Stephanie Targui (Museum national d’Histoire naturelle)
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“Encouraging the public to engage with powerful XR artworks is our responsibility” – Michele Ziegler (NewImages Festival 2024)
