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“We are convinced that our LBE strategy from the beginning is the one that prevails for our immersive experiences” – Chloé Jarry (Lucid Realities, Unframed Collection)
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“We are convinced that our LBE strategy from the beginning is the one that prevails for our immersive experiences” – Chloé Jarry (Lucid Realities, Unframed Collection)
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Edito⎜XR, accessibility and inclusion: a world that’s too virtual?
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Palais Garnier, La Magie Opéra
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First trailer for Stéphane Hueber-Blies and Nicolas Blies CECI EST MON CŒUR
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GOLIATH: PLAYING WITH REALITY narrator Tilda Swinton to continue her work on second chapter IMPULSE
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Developing an international network of creative industries: the Villa Formose residency, between France and Taiwan
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“Incoraggiare una cultura espositiva che supporti l’emergere di nuovi formati” – Liz Rosenthal (Venice Immersive 2024)
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“Encouraging an exhibition culture that helps new formats emerge” – Liz Rosenthal (Venice Immersive 2024)
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Venice Immersive 2024: rendez-vous on Lazzaretto Vecchio (everything you need to know)
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“With ASTÉRIX: MISSION POTIONS! we want to prove that content is the key element of our strategy” – Benoît Bouthinon (Virtual Room)
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“It seemed essential to us to offer a truly positive and enlightening experience, and not a documentary on the end of life” – Isabelle Andreani (NANA LOU)
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CPH:LAB 2024: Anamnesis, Fay: Carving Memories, Paradise Lost (part 3)
