“It seemed essential to us to offer a truly positive and enlightening experience, and not a documentary on the end of life” – Isabelle Andreani (NANA LOU)
How do you take a strong social theme (the end of life, a complex, if not taboo, subject)…
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@ Annecy Festival
Articles, interviews and analysis from XRMust.
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“OTO’S PLANET is an interactive work that reflects on the absurdity of our contemporary society” – Gwenael François, Julien Becker (Skill Lab)
If you haven't heard of Luxembourg-based studio Skill Lab yet, memorize it. In addition to the world premiere…
XR&Games, Competition, Work in Progress… Discover the entire immersive program of Annecy 2024
The world’s premier animation festival, Annecy (and its market, MIFA), is well aware of immersive innovations. With an…
“It’s a new interactive chapter that follows in the footsteps of these two heroes’ films” – Finbar Hawkins, Bram Ttwheam, Lawrence Bennett (WALLACE & GROMIT IN “THE GRAND GETAWAY”)
The standard-bearer of the Venice Immersive 2023 competition, the new WALLACE & GROMIT is one of the most…
“Our goal is to make people forget the use of technology in our immersive experiences” – Frederic Lecompte (BackLight)
Paris-based production studio, BackLight specializes in entertainment content for the LBE market, being both present in arcades (in…
“Virtual Reality can offer an inner journey” – Jan Kounen (7 LIVES, AYAHUASCA, -22.7°C)
Even with no feature film in the last ten years (COCO CHANEL AND IGOR STRAVINSKY in 2009), Jan…
“Of course you want to work with great storytellers” – Dana Dansereau (National Film Board of Canada)
Dana Dansereau is an interactive producer of the National Film Board of Canada’s Digital Studio, based in Vancouver.…
“What matters is the relationship with the character” – Pete Billington (WOLVES IN THE WALLS)
It’s not only one of the most selected VR films in festivals this year (so far Tribeca, Annecy,…