While Meta has been trying to convince the general public to embrace virtual reality since 2016, the firm does not yet seem to have solved
After the hugely successful Notre Dame VR experience, legendary artist & producer Jean-Michel Jarre returned with VR studio and metaverse architects VRrOOm for “OXYMORE” as
Dystopia is a common feature in fiction that picture the near future where reality and virtual reality become indiscernible. The popular narrative goes something like
THE INFINITE is not only one of the most visually stimulating XR exhibitions in recent memory but also, and perhaps surprisingly, a remarkably moving experience.
Who are capitalizing on the OASIS? And how? Everything is changing at a terrifying speed. During the past two months, it seems as if the
What are the requirements for the OASIS user experience? The last two posts explored how 1) the OASIS is not a distant future, but an
What makes something “mainstream”? Do you remember when and how you first started using “mainstream” social media such as Facebook, YouTube, KakaoTalk, etc? Perhaps a
For the first time since its Particles of Existence exhibit in 2018, PHI Centre is hosting a project by Marshmallow Laser Feast (MLF), one of
“We aim to create a platform like OASIS.” – If you are interested in the XR industry as of 2020, you may have heard this
For her work BLOODLESS, Gina Kim received the Best VR Story Award from the Venice Film Festival in 2017. TEARLESS, the second installment of her
