Inside Venice Gap Financing 2023: GARDEN ALCHEMY (Tindrum production, The Animation Workshop)
A final article to wrap up XRMust's overview on the Venice Gap-Financing 2023, the part of the Venice…
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Creative
Articles, interviews and analysis from XRMust.
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Inside Venice Gap Financing 2023: AN EMPTY SEAT (Art et essai, Makropol)
The Venice Gap-Financing Market returns for its 10th edition (Sept. 1-3), with a selection of 14 immersive pieces…
“To travel back in your imagination and memories and relive them” – Ana Ribeiro, Ricardo Justus, Ricardo Laganaro (PIXEL RIPPED 1978)
Following the recent announcement of their presence in the Venice Immersive 2023 lineup as one of the 10…
“Immersing the viewer is the art of losing them in the experience” – Yolanda Markopoulou (WHITE DWARF, PARADISE LOST)
Immersive art is a creative field that continually welcomes newcomers from other horizons. Yolanda Markopoulou is a theatre…
“Using entertainment to expand representation on a global scale” – Michaela Ternasky-Holland, Julie Cavaliere, Eleanor Thibeaux (REIMAGINED VOLUME II: MAHAL)
We discovered the surprising folklore narrated in the first episode of the Reimagined series at Venice Immersive 2022.…
“ I basically designed a game to inflict trauma on people in a weird way, so that they would understand rejection, shame, and acceptance” – Taylor McCue (HE FUCKED THE GIRL OUT OF ME)
He Fucked the Girl Out of Me premiered at IDFA in 2022. The video game piece explores sex…
“A project as culturally and historically accurate as possible” – Eloise Singer (THE PIRATE QUEEN)
After its premiere at Raindance 2022, Singer Studios' beautiful latest work, THE PIRATE QUEEN, began an exciting new…
“The emergence of virtual reality has given a new dimension to audio production” – Vincent Percevault (G4F)
Charente (France) is a land of creativity, with numerous studios and schools linked to the film (especially animation)…
Editorial⎪In the midst of advanced XR technologies, old-school tech interactives can still pack a punch
An AI-generated trans drag show, a dystopian game about digital “security” and an almost pornographic immersive VR piece…
“Each creator must develop his VR culture, especially during the pre-production phases” – Jonathan Astruc (ASCENDERS)
ASCENDERS is the latest production made in BackLight, a French creative studio dedicated to free roaming experiences (LBE).…
“A modern contemporary audience needs to have agency and empowerment” – Felix Barrett, Maxine Doyle (Punchdrunk)
Looking at the history of the last 20 years, it seems obvious that the revolution of the theatre…
Report⎪Access to Audiences: Challenges and Emerging Opportunities in XR Content Distribution
“Access to Audiences” is the new report from The Animation Workshop / VIA University College, leaded by Michelle…