Inside Venice Gap Financing 2023: AN EMPTY SEAT (Art et essai, Makropol)

Agnese Pietrobon

The Venice Gap-Financing Market returns for its 10th edition (Sept. 1-3), with a selection of 14 immersive pieces and 11 Biennale College Cinema - Virtual Reality projects that will have the opportunity to close their international financing, through one-on-one meetings with international decision-makers, in the context of the Venice Production Bridge of the Venice Biennale. […]

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“Entertainment isn’t about being superficial. It’s about creating an environment people genuinely want to return to, emotionally and imaginatively”- Rene Hyewon Lee (GiiÖii)

At this year’s NewImages Festival, XRMust had the opportunity to meet one of the festival’s most significant delegations: the Korean one. Our conversation with the studio GiiÖii offered a closer look at the country’s distinctive approach to immersive experiences and

“We allow a seated, traditional theatre audience to experience the virtual reality world without putting on a headset.” – Brendan Bradley (NON-PLAYER CHARACTER)

Join us as we delve into Brendan A. Bradley’s creative process, explore his unique artistic vision, and gain insight into the dynamic world of immersive theater and XR experiences. Don’t miss out on this inspiring conversation with one of the

Resources – University courses and labs on Storytelling, New Media

As part of our work on the immersive/new media industry, we want to create a ressource on universities' courses that can help future (...)

“Incoraggiare una cultura espositiva che supporti l’emergere di nuovi formati” – Liz Rosenthal (Venice Immersive 2024)

L’annuncio di oggi della line-up di Venice Immersive 2024 apre le porte alla nostra (frenetica) attesa per questo festival, che ogni anno supera le nostre aspettative portando qualcosa di nuovo ed emozionante al pubblico e a tutti gli addetti ai

Poetics and the New Opening of Greece’s Immersive Scene

In this conversation with Byron Chrysovergis, founder of Poetics, what emerges is not the portrait of a market already in place, but of a country where new openings are starting to appear for immersive exhibitions. Greece does not yet have

Villa Formose / DEEP ECOLOGY: a generative immersive map to explore the link between technology and ecology

XRMust is at the Kaohsiung Film Festival this year, covering the event and in particular its XR Dreamland section, at the invitation of the French Office in Taipei. It’s also an opportunity to take a look back at the teams