FEATHER in 2019 (Biennale College), BEAT in 2020, CLAP in 2021, TYPEMAN in 2022, SEN and SYUHASUU (FREQUENCY) in 2023… It’s hard to see a
One of the most loved immersive experiences at the Lazzaretto Vecchio, where it had its world premiere, LETTERS FROM DRANCY is a deeply moving piece
Discovered at the last BIFAN (Beyond Reality) festival, GIRL, LAMP, RADIO is an experience exploring online harassment through the eyes of a K-pop star. Somewhere
It was certainly one of the most eagerly awaited projects at this 2023 edition of Venice Immersive. The Italian event presented the world premiere of
A world premiere on the island of Lazzaretto Vecchio, FLOW VR is the new film by Adriaan Lokman, a multimedia director noted for his previous
After a stint at the Biennale College de Venise 2021 (followed by a work-in-progress session at Annecy 2023), EMPEREUR makes its world premiere at the
Noticed last year on LUSTRATION and THE CHOICE, Zoé Roellin is a Swiss artist and illustrator based in Zurich. At Venice Immersive 2023, she presents
A rare French project in the running at this year’s Venice Gap-Financing Market (alongside international co-production IMPULSE: PLAYING WITH REALITY), THE WHITE SABOTEUR by Barthelemy
After Goliath: Playing with reality, which won the Grand Jury Prize for Best VR Immersive Work at Venezia78, Anagram and Floréal return to the Venice
A final article to wrap up XRMust’s overview on the Venice Gap-Financing 2023, the part of the Venice Production Bridge that, during the 80th Venice
