Inside Venice Gap Financing 2023: THE WHITE SABOTEUR (Risette)
A rare French project in the running at this year's Venice Gap-Financing Market (alongside international co-production IMPULSE: PLAYING…
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@ Venice Immersive
Articles, interviews and analysis from XRMust.
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articles Showing 61–72
Inside Venice Gap Financing 2023: IMPULSE: PLAYING WITH REALITY (Anagram, Floréal)
After Goliath: Playing with reality, which won the Grand Jury Prize for Best VR Immersive Work at Venezia78,…
Inside Venice Gap Financing 2023: GARDEN ALCHEMY (Tindrum production, The Animation Workshop)
A final article to wrap up XRMust's overview on the Venice Gap-Financing 2023, the part of the Venice…
SEN, Keisuke Itoh’s new interactive experience, will premiere at Venice Immersive 2023
Psychic VR Lab Co. – creator of metaverse app STYLY – and CinemaLeap Co., Ltd. are proud to…
Inside Venice Gap Financing 2023: AN EMPTY SEAT (Art et essai, Makropol)
The Venice Gap-Financing Market returns for its 10th edition (Sept. 1-3), with a selection of 14 immersive pieces…
“We are moving toward a market mentality, which is absolutely necessary for immersive media to grow” – Liz Rosenthal, Michel Reilhac (Venice Immersive 2023)
44 projects from 25 countries and 24 works in the Worlds Gallery: with just over a month to…
Venice Immersive 2023: A Complete Line-Up
The selection of projects for Venice Immersive, the XR – Extended Reality section of the 80th Venice International…
“It may seem trivial to let the user free of his choices, but in this world it’s not” – Tim Jones (PEAKY BLINDER’S: THE KING’S RANSOM)
Discussion with Tim Jones, co-director of PEAKY BLINDER'S: THE KING'S RANSOM, one of the biggest expectations of Venice…
“It is very important for us to open a dialogue with the spectator, even after the experience” – Ondřej Moravec (TMÁNÍ – DARKENING)
This is one of the most sensitive experiences of Venice Immersive 2022. TMÁNÍ (DARKENING) takes viewers on a…
“On the value of connection, between the spiritual and physical worlds” – Keisuke Itoh (TYPEMAN)
In the 2022 Venice Immersive lineup and now on its way to Raindance Immersive, TYPEMAN, Keisuke Itoh’s fourth…
“I shape environments to create emotions” – Mélanie Courtinat (ALL UNSAVED PROGRESS WILL BE LOST)
It was quite different in Venice in a line-up that was finally very oriented towards linear works. More…
“A work that showed us how art can foresee reality” – Pedro Harres, Angelina Urbanczyk (FROM THE MAIN SQUARE)
Winner of the Venice Immersive Grand Jury Prize, Pedro Harres’ From the Main Square is a surprising (and…