“HEARTBEAT is an experience that ultimately draws on very personal memories” – Bonnie Lisbon (ENTER.black)
At Venice Immersive 2025, Bonnie Lisbon presents the immersive film HEARTBEAT - SON CŒUR A TROUVÉ SA CADENCE…
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@ Venice Immersive
Articles, interviews and analysis from XRMust.
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EXCLUSIVE! Official poster artwork for A LONG GOODBYE by Kate Voet & Victor Maes
Belgium’s Cassette for timescapes and Paris-based distributor ASTREA share the official poster artwork for Venice title A LONG…
“A project where each component can stand on its own, while still belonging to a unified whole” – Michelle Kranot, Peter Fisher, Kathrine Fremming (THE GARDEN SAYS…)
How does an immersive work come to life and evolve? At XRMust we often ask ourselves this question,…
One big family: Onassis, ONX and the intersection of culture, technology and art
The Onassis Foundation has a big mission: to be a catalyst and embrace constant innovation and creative disruptions…
“A growing interest in telling big stories through a language that’s much closer to cinema than in the past” – Liz Rosenthal, Michel Reilhac (Venice Immersive 2025)
Nearly ten years after the first edition of the world’s largest international immersive event, Venice Immersive returns with…
Official 2025 Venice Immersive Selection and Competition Unveils 69 projects from 27 countries
The selection of projects for Venice Immersive, the XR – Extended Reality section of the 82nd Venice International Film Festival (27th August…
“Our intention, with Édith Canat de Chizy, is to keep the audience close to the performer.” – Blanca Li (THE SHADOW)
Presented as part of the IRCAM’s Manifeste 2025 festival, THE SHADOW is an augmented dance piece created by…
Villa Formose / “To act or to observe: it’s this freedom of the spectator that lies at the heart of the experience” – Mathieu Pradat (ENCOUNTERS)
After several years in development, Mathieu Pradat had a successful year in 2024, presenting two multi-user experiences at…
Exploring the evolution of immersive performance with the creators of UNCANNY ALLEY: A NEW DAY (part 3)
Did you think we would stop at two? Think again! Because the interview with Ferryman Collective at Venice…
Exploring the evolution of immersive performance with the creators of UNCANNY ALLEY: A NEW DAY (part 2)
In the first part of this article, we had the chance to introduce the fascinating world and engaging…
Exploring the evolution of immersive performance with the creators of UNCANNY ALLEY: A NEW DAY (part 1)
It's just days before the Venice Film Festival begins, and a dear friend of mine who works in…
Rediscovering ourselves through immersive productions: conversation with Cameron Kostopoulos, Paula Orlando, Rocio Pichirili, Wadooah Wali and Yasmin Elayat
Partly because of my classical studies, partly because of those in psychology, the phrase γνῶϑι σεαυτόν (“Nosce te…