“MOBILE SUIT GUNDAM: SILVER PHANTOM proves that we can offer an immersive animation format to XR audiences” – Arnaud Colinart (Atlas V)
Between video game and narrative work, has virtual reality as a medium found its definitive form? Probably not,…
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@ Venice Immersive
Articles, interviews and analysis from XRMust.
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articles Showing 37–48
First trailer for Stéphane Hueber-Blies and Nicolas Blies CECI EST MON CŒUR
CECI EST MON CŒUR (THIS IS MY HEART) is the new work by the Blies brothers (ZERO IMPUNITY), produced…
XR Focus / Italy, an artistic country trying to build an ecosystem
On the occasion of XR4Europe's new report on European ecosystems, this time dedicated to Italy, we take a…
Ferryman Collective brings MetaRick’s UNCANNY ALLEY: A NEW DAY to Venice 2024
A cyberpunk hacker must lead escaped detainees to freedom through a hacked portal before a fascist corporation erases…
GOLIATH: PLAYING WITH REALITY narrator Tilda Swinton to continue her work on second chapter IMPULSE
Today Anagram, the award-winning studio that brought you the Venice Immersive Grand Jury Prize-winning Goliath: Playing with Reality,…
“We formatted the project in such a way as to appeal to the widest possible audience” – Lui Avallos (QUEER UTOPIA: ACT 1 CRUISING)
Lui Avallos’ QUEER UTOPIA: ACT 1 CRUISING a queer man who is losing his memory recalls times from…
“Incoraggiare una cultura espositiva che supporti l’emergere di nuovi formati” – Liz Rosenthal (Venice Immersive 2024)
L’annuncio di oggi della line-up di Venice Immersive 2024 apre le porte alla nostra (frenetica) attesa per questo…
“Encouraging an exhibition culture that helps new formats emerge” – Liz Rosenthal (Venice Immersive 2024)
Today’s announcement of the Venice Immersive 2024 line-up opens the door to our (frenzied) anticipation for this festival,…
Venice Immersive 2024: rendez-vous on Lazzaretto Vecchio (everything you need to know)
The selection of projects for Venice Immersive, the XR – Extended Reality section of the 81st Venice International…
“Shifting the focus of the story from interaction to narrative” – Mathieu Pradat (THE ROAMING)
Presented for the first time at the Venice Biennale in 2018 (see our interview at that time, one…
“It’s a new interactive chapter that follows in the footsteps of these two heroes’ films” – Finbar Hawkins, Bram Ttwheam, Lawrence Bennett (WALLACE & GROMIT IN “THE GRAND GETAWAY”)
The standard-bearer of the Venice Immersive 2023 competition, the new WALLACE & GROMIT is one of the most…
“When life gives you lemons, you make caipirinha!” – Marcio Sal (FINALMENTE EU – FINALLY ME)
The international premiere of the animated piece FINALMENTE EU (FINALLY ME) at Venice Immersive 2023 was a success…