“Creating interactions that enhance the narrative, not pull focus from it” – Allison Crank (UX / XR designer)
Today we meet Allison Crank, UX designer and researcher whose work in immersive technologies (the most recent with…
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@ Venice Immersive
Articles, interviews and analysis from XRMust.
96
articles Showing 37–48
“With mixed reality, we need to be more contemplative than strictly narrative” – Ondřej Moravec (FRAGILE HOME)
Since DARKENING in 2022, Ondřej Moravec has followed up with an equally successful second VR production, FRESH MEMORIES:…
Preview/ MONS VENUS, with Paula Orlando (creator) and Rocio Pichirili (producer)
Dealing with the question of pleasure (physical, emotional...) in virtual reality is a real question for creators, but…
“FREE UR HEAD emerges as an experiment on the power of the individual over the collective” – Tung-Yen Chou (Very Theatre)
A leading director on the Taiwanese and international scene, founder of the Very Mainstream Studio and Very Theatre…
“MOBILE SUIT GUNDAM: SILVER PHANTOM proves that we can offer an immersive animation format to XR audiences” – Arnaud Colinart (Atlas V)
Between video game and narrative work, has virtual reality as a medium found its definitive form? Probably not,…
First trailer for Stéphane Hueber-Blies and Nicolas Blies CECI EST MON CŒUR
CECI EST MON CŒUR (THIS IS MY HEART) is the new work by the Blies brothers (ZERO IMPUNITY), produced…
XR Focus / Italy, an artistic country trying to build an ecosystem
On the occasion of XR4Europe's new report on European ecosystems, this time dedicated to Italy, we take a…
Ferryman Collective brings MetaRick’s UNCANNY ALLEY: A NEW DAY to Venice 2024
A cyberpunk hacker must lead escaped detainees to freedom through a hacked portal before a fascist corporation erases…
GOLIATH: PLAYING WITH REALITY narrator Tilda Swinton to continue her work on second chapter IMPULSE
Today Anagram, the award-winning studio that brought you the Venice Immersive Grand Jury Prize-winning Goliath: Playing with Reality,…
“We formatted the project in such a way as to appeal to the widest possible audience” – Lui Avallos (QUEER UTOPIA: ACT 1 CRUISING)
Lui Avallos’ QUEER UTOPIA: ACT 1 CRUISING a queer man who is losing his memory recalls times from…
“Incoraggiare una cultura espositiva che supporti l’emergere di nuovi formati” – Liz Rosenthal (Venice Immersive 2024)
L’annuncio di oggi della line-up di Venice Immersive 2024 apre le porte alla nostra (frenetica) attesa per questo…
“Encouraging an exhibition culture that helps new formats emerge” – Liz Rosenthal (Venice Immersive 2024)
Today’s announcement of the Venice Immersive 2024 line-up opens the door to our (frenzied) anticipation for this festival,…