“Our intention, with Édith Canat de Chizy, is to keep the audience close to the performer.” – Blanca Li (THE SHADOW)
Presented as part of the IRCAM’s Manifeste 2025 festival, THE SHADOW is an augmented dance piece created by…
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@ Venice Immersive
Articles, interviews and analysis from XRMust.
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articles Showing 25–36
Villa Formose / “To act or to observe: it’s this freedom of the spectator that lies at the heart of the experience” – Mathieu Pradat (ENCOUNTERS)
After several years in development, Mathieu Pradat had a successful year in 2024, presenting two multi-user experiences at…
Exploring the evolution of immersive performance with the creators of UNCANNY ALLEY: A NEW DAY (part 3)
Did you think we would stop at two? Think again! Because the interview with Ferryman Collective at Venice…
Exploring the evolution of immersive performance with the creators of UNCANNY ALLEY: A NEW DAY (part 2)
In the first part of this article, we had the chance to introduce the fascinating world and engaging…
Exploring the evolution of immersive performance with the creators of UNCANNY ALLEY: A NEW DAY (part 1)
It's just days before the Venice Film Festival begins, and a dear friend of mine who works in…
Rediscovering ourselves through immersive productions: conversation with Cameron Kostopoulos, Paula Orlando, Rocio Pichirili, Wadooah Wali and Yasmin Elayat
Partly because of my classical studies, partly because of those in psychology, the phrase γνῶϑι σεαυτόν (“Nosce te…
Exploring a new storytelling frontier for a new audience at Venice Immersive: WHAT IF…? AN IMMERSIVE STORY and more
Every year for the past six editions of the Venice Film Festival, the cultural association fanheart3 joins this…
Diversion announces the acquisition of two projects presented at Venice Immersive 2024
Back to the heart of the Venice Production Bridge at La Biennale di Venezia – Venice International Film…
“Creating interactions that enhance the narrative, not pull focus from it” – Allison Crank (UX / XR designer)
Today we meet Allison Crank, UX designer and researcher whose work in immersive technologies (the most recent with…
“With mixed reality, we need to be more contemplative than strictly narrative” – Ondřej Moravec (FRAGILE HOME)
Since DARKENING in 2022, Ondřej Moravec has followed up with an equally successful second VR production, FRESH MEMORIES:…
Preview/ MONS VENUS, with Paula Orlando (creator) and Rocio Pichirili (producer)
Dealing with the question of pleasure (physical, emotional...) in virtual reality is a real question for creators, but…
“FREE UR HEAD emerges as an experiment on the power of the individual over the collective” – Tung-Yen Chou (Very Theatre)
A leading director on the Taiwanese and international scene, founder of the Very Mainstream Studio and Very Theatre…