Exploring the evolution of immersive performance with the creators of UNCANNY ALLEY: A NEW DAY (part 2)
In the first part of this article, we had the chance to introduce the fascinating world and engaging…
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@ Venice Immersive
Articles, interviews and analysis from XRMust.
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Exploring the evolution of immersive performance with the creators of UNCANNY ALLEY: A NEW DAY (part 1)
It's just days before the Venice Film Festival begins, and a dear friend of mine who works in…
Rediscovering ourselves through immersive productions: conversation with Cameron Kostopoulos, Paula Orlando, Rocio Pichirili, Wadooah Wali and Yasmin Elayat
Partly because of my classical studies, partly because of those in psychology, the phrase γνῶϑι σεαυτόν (“Nosce te…
Exploring a new storytelling frontier for a new audience at Venice Immersive: WHAT IF…? AN IMMERSIVE STORY and more
Every year for the past six editions of the Venice Film Festival, the cultural association fanheart3 joins this…
Diversion announces the acquisition of two projects presented at Venice Immersive 2024
Back to the heart of the Venice Production Bridge at La Biennale di Venezia – Venice International Film…
“Creating interactions that enhance the narrative, not pull focus from it” – Allison Crank (UX / XR designer)
Today we meet Allison Crank, UX designer and researcher whose work in immersive technologies (the most recent with…
“With mixed reality, we need to be more contemplative than strictly narrative” – Ondřej Moravec (FRAGILE HOME)
Since DARKENING in 2022, Ondřej Moravec has followed up with an equally successful second VR production, FRESH MEMORIES:…
Preview/ MONS VENUS, with Paula Orlando (creator) and Rocio Pichirili (producer)
Dealing with the question of pleasure (physical, emotional...) in virtual reality is a real question for creators, but…
“FREE UR HEAD emerges as an experiment on the power of the individual over the collective” – Tung-Yen Chou (Very Theatre)
A leading director on the Taiwanese and international scene, founder of the Very Mainstream Studio and Very Theatre…
“MOBILE SUIT GUNDAM: SILVER PHANTOM proves that we can offer an immersive animation format to XR audiences” – Arnaud Colinart (Atlas V)
Between video game and narrative work, has virtual reality as a medium found its definitive form? Probably not,…
First trailer for Stéphane Hueber-Blies and Nicolas Blies CECI EST MON CŒUR
CECI EST MON CŒUR (THIS IS MY HEART) is the new work by the Blies brothers (ZERO IMPUNITY), produced…
XR Focus / Italy, an artistic country trying to build an ecosystem
On the occasion of XR4Europe's new report on European ecosystems, this time dedicated to Italy, we take a…