“A story built on multiple layers of time and space that naturally lend themselves to the medium of VR” – Singing Chen, Chuan Ming-Yuan, Huang Yu-Jie (THE CLOUDS ARE TWO THOUSAND METERS UP)

Agnese Pietrobon

Winner of the GRAND PRIZE at Venice Immersive 2025, THE CLOUDS ARE TWO THOUSAND METERS UP is the beautiful and poetic new piece by Singing Chen, following the acclaimed THE MAN WHO COULDN'T LEAVE. After the sudden death of his wife, Guan discovers her unfinished novel — a tale intertwining the endangered clouded leopard and […]

---

Not gonna lie: this part is locked

Memberships help us keep XRMust independent and keep the project growing.

@ Dabatase

@ Magazine

“I love to be surprised by new experiences, storytelling and technologies” – Shari Frilot (Sundance New Frontier)

Oldest festival with an interactive section in the world (if we count, since 2007) Sundance New Frontier opens this week a very special edition in Covid-19 time. A reinvented Sundance, online, which takes the opportunity to open itself to the

NEWVIEW AWARDS 2022 – Call for XR contents!

The collaborative program named NEWVIEW from Psychic VR Lab Co., Ltd., Parco Co., Ltd., and Loftwork Co., Ltd. today announce the 5th annual XR global content awards, NEWVIEW AWARDS 2022. The NEWVIEW Program is a project and community that cultivates

“Encouraging an exhibition culture that helps new formats emerge” – Liz Rosenthal (Venice Immersive 2024)

Today’s announcement of the Venice Immersive 2024 line-up opens the door to our (frenzied) anticipation for this festival, which every year exceeds our expectations bringing something new and exciting to the audience and all those involved in the field. Between

“It’s a new interactive chapter that follows in the footsteps of these two heroes’ films” – Finbar Hawkins, Bram Ttwheam, Lawrence Bennett (WALLACE & GROMIT IN “THE GRAND GETAWAY”)

The standard-bearer of the Venice Immersive 2023 competition, the new WALLACE & GROMIT is one of the most eagerly awaited VR titles of the coming months. A fascinating story in several chapters (even if it’s very narrative-oriented, it’s still a

“In my practice, I have control on how to present realities” – Natalie Paneng (NATALIE’S TRIFECTA)

NATALIE’S TRIFECTA premiered at IDFA, where it won a special jury award for creative technology. The interactive piece transports the viewer through the different worlds of a multi-disciplinary artist (Natalie Paneng), as they explore her physical studio, a virtual gallery

“Are we not going to be able to ever know what the truth is, again?” – Halsey Burgund (IN THE EVENT OF MOON DISASTER)

"In Event of Moon Disaster" was recently selected for the Tribeca Film Festival's Virtual Arcade. A fascinating and surprising (...)