“A story built on multiple layers of time and space that naturally lend themselves to the medium of VR” – Singing Chen, Chuan Ming-Yuan, Huang Yu-Jie (THE CLOUDS ARE TWO THOUSAND METERS UP)

Agnese Pietrobon

Winner of the GRAND PRIZE at Venice Immersive 2025, THE CLOUDS ARE TWO THOUSAND METERS UP is the beautiful and poetic new piece by Singing Chen, following the acclaimed THE MAN WHO COULDN'T LEAVE. After the sudden death of his wife, Guan discovers her unfinished novel — a tale intertwining the endangered clouded leopard and […]

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“To transform a privileged medium to something that could speak to a mainstream audience” – Karen Palmer, Tom Millen (CONSENSUS GENTIUM, Tour of Shopping Centres)

After countless successes at international festivals and events, CONSENSUS GENTIUM is back, and this time it directly addresses the audience that needs a work such as this the most, namely the more mainstream and younger audience that is often cut

L’Hybride in France: A Venue Model Designed to Take Narrative Video Mapping to New Heights

On March 7, 2026, L’Hybride will reopen in Lille, transformed into the first immersive video mapping venue in the Hauts-de-France region, without abandoning its original identity as a space dedicated to short films. Behind the promise of “immersive” lies a

Live from St. Louis at USITT, with Brendan Bradley and his latest show NPC!

The boundaries between physical experience and live performance become blurred when dealing with immersive technologies. This week we bring you an exclusive presentation of the latest show from comedian and producer Brendan Bradley who is performing his latest show NON-PLAYER

“Since its creation, the GIFF has been a meeting platform for all actors of the cultural and creative industries ” – Anaïs Emery (General and artistic director)

The Geneva GIFF is back to 100% physical this year for an edition for the public but also for professionals (with the Geneva Digital Market). The opportunity to celebrate a 27th anniversary post-Covid in great shape. Interview with Anaïs Emery,

“The idea is to become a mushroom” – Winslow Porter, Elie Zananiri, Justin Durazzo (FORAGER)

As the first ever volumetric time-lapse inside of a game engine, FORAGER ( a 2023 SXSW selected experience) invented a new technological 3D process to tell the hidden story under our feet. In this immersive experience, the user lies down

“A film about love, the love that binds us to the people we care about most” – Darren Emerson (LETTERS FROM DRANCY)

One of the most loved immersive experiences at the Lazzaretto Vecchio, where it had its world premiere, LETTERS FROM DRANCY is a deeply moving piece about the relationship between a mother and daughter separated by the tragedy of the Holocaust.