“A story built on multiple layers of time and space that naturally lend themselves to the medium of VR” – Singing Chen, Chuan Ming-Yuan, Huang Yu-Jie (THE CLOUDS ARE TWO THOUSAND METERS UP)

Agnese Pietrobon

Winner of the GRAND PRIZE at Venice Immersive 2025, THE CLOUDS ARE TWO THOUSAND METERS UP is the beautiful and poetic new piece by Singing Chen, following the acclaimed THE MAN WHO COULDN'T LEAVE. After the sudden death of his wife, Guan discovers her unfinished novel — a tale intertwining the endangered clouded leopard and […]

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“I feel that animation is an awesome tool to enhance VR” – Van Phan (UPSTANDER)

As part of Tribeca Immersive - Cinema 360, UPSTANDER was screened few days in April on Oculus TV. A great opportunity to discover (...)

Editorial⎪why we should all explore VR platforms with a community

“We must be willing to attend events and try things in VR that wouldn’t normally interest us. The best way to find the will and energy to do that is to do so with trusted peers.” – Michael Barngrover (XR

“With Surround Sync, we combine immersive and cinematic viewing experiences to offer our audience the very best” – Briege Whitehead (White Spark Pictures)

“VR cinema”: an idea as old as the return of virtual reality content to the general public 10 years ago. It has naturally occurred with the increasing accessibility of headsets, their price and the software interfaces enabling them to be

Everything You Need To Know – Sundance New Frontier 2022

The oldest interactive (new media) festival is back, January 20-30 in Park City. With his “fully biodigital” selection, presented simultaneously on a virtual venue (The Spaceship – launched in 2021), and a free-to-access venue in Park City (The Craft), Sundance

“To change the way that we hold that history in our bodies” – Randall Okita & David Oppenheim (THE BOOK OF DISTANCE)

Some months ago, I bumped into a review of some immersive works presented at the Sundance Film Festival and one of them caught my attention.

“Forget the technology and remember the story and the emotions” – Ricardo Laganaro (A LINHA)

When you read something as a child you do not only enjoy a story. Everything about it comes to life around you: the voices, the sounds (...)