Venice Immersive’ 10 | Hsin-Chien Huang: Dancing With Technology, Living The Story
Hsin-Chien Huang is a new media pioneer whose work spans many different forms, from tactile sculpture to VR…
Category
Asia Immersive
Articles, interviews and analysis from XRMust.
14
articles Showing 1–12
Venice Immersive’ 10⎜Tung-Yen Chou: A Theatre Director Exploring New Stages
For more than two decades, Taiwanese artist Tung-Yen Chou has worked across theatre, documentary, installation and digital media…
STYLY: Building a Bridge Between XR Creation, LBE Distribution and Japan’s Next Immersive Market
As location-based entertainment continues to reshape the way immersive works reach audiences, the question is no longer only…
Temple of Light: From China to International Markets, Thinking Immersion Through Place
As a distributor and operator of immersive experiences, Temple of Light developed from a territory that deeply shaped…
“A story built on multiple layers of time and space that naturally lend themselves to the medium of VR” – Singing Chen, Chuan Ming-Yuan, Huang Yu-Jie (THE CLOUDS ARE TWO THOUSAND METERS UP)
Winner of the GRAND PRIZE at Venice Immersive 2025, THE CLOUDS ARE TWO THOUSAND METERS UP is the…
International XR coproduction: the bond between France and Taiwan
For the Kaohsiung Film Festival 2024, the French Office in Taipei (official website) has teamed up with XRMust…
“FREE UR HEAD emerges as an experiment on the power of the individual over the collective” – Tung-Yen Chou (Very Theatre)
A leading director on the Taiwanese and international scene, founder of the Very Mainstream Studio and Very Theatre…
Developing an international network of creative industries: the Villa Formose residency, between France and Taiwan
The development of the cultural and creative industries, particularly in terms of immersion and new media, owes much…
“With TRAVERSING THE MIST, we share a certain intimacy between each other” – Tung-Yen Chou (Very Theatre)
Tung-Yen Chou is a Taiwanese theatre director, filmmaker and founder/artistic director of Very Mainstream Studio and Very Theatre in…
“Surveillance: a issue rooted in our culture” – Hsin-Chien Huang (THE EYE & I)
Presented at South by Southwest 2023 (first chapter) and with a world premiere at GIFF 2023 in Geneva,…
“My films tend to question the spectator on the state of the world and his capacity to change it” – Hsieh Wen-Yee, Sebox Hong (LIMBOPHOBIA, LIMBOTOPIA)
At the last NewImages festival in Paris, the Marketplace’s professional sessions featured the presentation of up-and-coming XR projects.…
TAICCA (Taiwan) presents its 2022 Venice Immersive / Production Bridge line-up
In the spotlight this year at the invitation of the 2022 Venice Production Bridge (VPB) of the prestigious…