“Avatars as extensions of ourselves that offer new perspectives” – Kazuki Yuhara (FIRST VIRTUAL SUIT)
A bright experiment in an often serious field, FIRST VIRTUAL SUIT turns identity into play, showing that immersive…
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@ Venice Immersive
Articles, interviews and analysis from XRMust.
91
articles Showing 13–24
Editorial⎜Is getting stood up in the virtual world better or worse than in real life?
Or if your date or encounter just doesn’t deliver what you had hoped from the other person? Could…
“We wanted to find ways to transition the audience from the virtual experience to the physical one within the narrative structure itself” – Phoebe Greenberg, Craig Quintero (BLUR)
One of the events at this year's Venice Film Festival, in the immersive section, was the presentation of…
“I wanted to imagine an experience that would allow us to better express our identity through our physicality” – Sarah Silverblatt-Buser (COLLECTIVE BODY)
COLLECTIVE BODY is a multi-user virtual reality dance project that is having its world premiere at Venice Immersive…
“I always try to bring visual poetry to our animation projects” – Amaury Campion (Studio Geppetto)
Studio Geppetto is a French creative studio specializing in animation and motion design for narrative projects in virtual…
“There are fascinating worlds to explore thanks to new technologies” – Katharina Weser (Reynard Films)
Reynard Films (based in Leipzig, Germany) is a recognized name in the immersive ecosystem, with its ability to…
“HEARTBEAT is an experience that ultimately draws on very personal memories” – Bonnie Lisbon (ENTER.black)
At Venice Immersive 2025, Bonnie Lisbon presents the immersive film HEARTBEAT - SON CŒUR A TROUVÉ SA CADENCE…
EXCLUSIVE! Official poster artwork for A LONG GOODBYE by Kate Voet & Victor Maes
Belgium’s Cassette for timescapes and Paris-based distributor ASTREA share the official poster artwork for Venice title A LONG…
“A project where each component can stand on its own, while still belonging to a unified whole” – Michelle Kranot, Peter Fisher, Kathrine Fremming (THE GARDEN SAYS…)
How does an immersive work come to life and evolve? At XRMust we often ask ourselves this question,…
One big family: Onassis, ONX and the intersection of culture, technology and art
The Onassis Foundation has a big mission: to be a catalyst and embrace constant innovation and creative disruptions…
“A growing interest in telling big stories through a language that’s much closer to cinema than in the past” – Liz Rosenthal, Michel Reilhac (Venice Immersive 2025)
Nearly ten years after the first edition of the world’s largest international immersive event, Venice Immersive returns with…
Official 2025 Venice Immersive Selection and Competition Unveils 69 projects from 27 countries
The selection of projects for Venice Immersive, the XR – Extended Reality section of the 82nd Venice International Film Festival (27th August…