Decoding XR: Leo Metcalf, and Michael Golembewski (THE TIME BEFORE)
First seen at the latest Venice Immersive, THE TIME BEFORE by filmmaker and animator Leo Metcalf is a…
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@ Venice Immersive
Articles, interviews and analysis from XRMust.
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articles Showing 13–24
“I didn’t want to people to just enjoy the visuals. I wanted them to be more connected to the story” – Négar Motevalymeidanshah (LESS THAN 5 GRAMS OF SAFFRON)
LESS THAN 5 GRAMS OF SAFFRON is a beautifully animated 360 film that explores the immigrant experience and…
LA MAGIE OPÉRA, Staging prestige and institutional VR production
Co-produced byBackLight, the Paris Opera, andVIVE Arts, LA MAGIE OPÉRA continues the trajectory of a French studio that…
“it was all about creating and maintaining a trust and a transparency in the process between the participants and the creators” – Mads Damsbo (DARK ROOMS)
DARK ROOMS, presented recently at Venice Immersive 2025, is an embodied exploration of human psychology through the prism of…
“A story built on multiple layers of time and space that naturally lend themselves to the medium of VR” – Singing Chen, Chuan Ming-Yuan, Huang Yu-Jie (THE CLOUDS ARE TWO THOUSAND METERS UP)
Winner of the GRAND PRIZE at Venice Immersive 2025, THE CLOUDS ARE TWO THOUSAND METERS UP is the…
“What people need now is a return to beauty, and we tried to carry that into this experience” – Kristina Buozyte, Vitalijus Zukas (CREATION OF THE WORLDS)
A guided deep dive into one of my five favorite experiences at Venice Immersive 2025: CREATION OF THE…
“ASTEROID is by far the most ambitious project of my career” – Doug Liman (30 Ninjas)
At the latest Venice Immersive event, Doug Liman presented his brand new project, ASTEROID, on the upcoming Samsung…
“Avatars as extensions of ourselves that offer new perspectives” – Kazuki Yuhara (FIRST VIRTUAL SUIT)
A bright experiment in an often serious field, FIRST VIRTUAL SUIT turns identity into play, showing that immersive…
Editorial⎜Is getting stood up in the virtual world better or worse than in real life?
Or if your date or encounter just doesn’t deliver what you had hoped from the other person? Could…
“We wanted to find ways to transition the audience from the virtual experience to the physical one within the narrative structure itself” – Phoebe Greenberg, Craig Quintero (BLUR)
One of the events at this year's Venice Film Festival, in the immersive section, was the presentation of…
“I wanted to imagine an experience that would allow us to better express our identity through our physicality” – Sarah Silverblatt-Buser (COLLECTIVE BODY)
COLLECTIVE BODY is a multi-user virtual reality dance project that is having its world premiere at Venice Immersive…
“I always try to bring visual poetry to our animation projects” – Amaury Campion (Studio Geppetto)
Studio Geppetto is a French creative studio specializing in animation and motion design for narrative projects in virtual…