Venice Immersive’ 10⎜Ricardo Laganaro: making space for new voices without losing our memory
Years ago, my heart was stolen by a tiny character inhabiting a miniature world of railway crossings, flower-filled…
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@ Venice Immersive
Articles, interviews and analysis from XRMust.
107
articles Showing 13–24
Venice Immersive’ 10 | Celine Daemen: “We need to stay true to what makes our medium special”
Last year, I had already had the chance to speak with Celine Daemen, in an exchange that later…
Venice Immersive at 10: Liz Rosenthal and Michel Reilhac Look Past the Anniversary
For its 10th edition, Venice Immersive (part of the Biennale Cinema) could have chosen the comfort of a…
Venice Immersive 2026 – 10th edition – The full line-up
The selection of projects for Venice Immersive, the XR – Extended Reality section of the 83rd Venice International…
Venice Immersive’ 10⎜Tupac Martir: “The Stage Is Not Even the Space Anymore”
As Venice Immersive celebrates its 10th edition, XRMust continues its series of conversations with artists who have helped…
Venice Immersive’ 10⎜Dr. Michael Golembewski: “Festivals Are the Spotlight Moment – But They Cannot Be All We Have”
For the first interview in our series celebrating ten years of Venice Immersive, XRMust spoke with Dr. Michael…
“This experience is a metaphor for how care can heal society” – Melodie Mousset (EMPATHY CREATURES)
We recently had the opportunity to reconnect with Melodie Mousset and dive back into EMPATHY CREATURES, a work…
Decoding XR: Leo Metcalf, and Michael Golembewski (THE TIME BEFORE)
First seen at the latest Venice Immersive, THE TIME BEFORE by filmmaker and animator Leo Metcalf is a…
“I didn’t want to people to just enjoy the visuals. I wanted them to be more connected to the story” – Négar Motevalymeidanshah (LESS THAN 5 GRAMS OF SAFFRON)
LESS THAN 5 GRAMS OF SAFFRON is a beautifully animated 360 film that explores the immigrant experience and…
LA MAGIE OPÉRA, Staging prestige and institutional VR production
Co-produced byBackLight, the Paris Opera, andVIVE Arts, LA MAGIE OPÉRA continues the trajectory of a French studio that…
“it was all about creating and maintaining a trust and a transparency in the process between the participants and the creators” – Mads Damsbo (DARK ROOMS)
DARK ROOMS, presented recently at Venice Immersive 2025, is an embodied exploration of human psychology through the prism of…
“A story built on multiple layers of time and space that naturally lend themselves to the medium of VR” – Singing Chen, Chuan Ming-Yuan, Huang Yu-Jie (THE CLOUDS ARE TWO THOUSAND METERS UP)
Winner of the GRAND PRIZE at Venice Immersive 2025, THE CLOUDS ARE TWO THOUSAND METERS UP is the…