Exploring the evolution of immersive performance with the creators of UNCANNY ALLEY: A NEW DAY (part 1)

It's just days before the Venice Film Festival begins, and a dear friend of mine who works in film criticism and I receive an invitation to one of the press premieres for the live immersive show UNCANNY ALLEY: A NEW DAY, directed by Stephen Butchko and Rick Treweek and produced by Ferryman Collective and Virtual […]

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Not gonna lie: this part is locked 😬

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“Comedy, action, suspense” Mathias Chelebourg (DOCTOR WHO: THE RUNAWAY)

Presented at Tribeca last year, DOCTOR WHO: THE RUNAWAY (available on Steam and Rift) opens the doors of the Tardis for an (...)

THE WORLD CAME FLOODING IN: Isobel Knowles & Van Sowerwine on Crafting Climate Memory in Immersive Storytelling

Between meetings at IFFR, the conversation with Isobel Knowles and Van Sowerwine quickly moved beyond the usual “how did you make it?” Because THE WORLD CAME FLOODING IN isn’t just another XR title on a festival slate. It’s a deliberate

“VR to invoke a deep sense of urgency and passion for confronting global challenges” – Daanish Masood Alavi, Igal Nassina (THE STATE OF GLOBAL PEACE)

The State of Global Peace, presented at Sundance New Frontier 2022, is a VR piece that democratizes the conversation around global issues, making us aware of them through the role it asks us to play: that of a Prime Minister

“We want to prove there is some viability in the XR creative process” – Mads Damsbo, Mikkel Skov (MAKROPOL 1/2)

Producer of digital content since 2011, the Danish company Makropol has experimented on all media: LBE since 2014, VR film… On the occasion of the release of their latest productions (END OF NIGHT, ARTIFICIAL AWAKENING, SHADOW…), we met Mads Damsbo,

“Without making it autobiographical, I wanted to create an environment where universal memories could emerge” – Zoe Roellin (PERENNIALS)

Noticed last year on LUSTRATION and THE CHOICE, Zoé Roellin is a Swiss artist and illustrator based in Zurich. At Venice Immersive 2023, she presents PERENNIALS, a more personal work in 3D animation that plunges us into the memories of

“A lab to dig down to the core of the story and break down expectations about immersive productions” – Mads Damsbo (EUCL)

The European Creators Lab, which for years has supported artists from a wide variety of fields in developing their immersive projects, is back for 2024. The new call to participate in next April’s Development Lab is now open, and you