“It seemed essential to us to offer a truly positive and enlightening experience, and not a documentary on the end of life” – Isabelle Andreani (NANA LOU)

How do you take a strong social theme (the end of life, a complex, if not taboo, subject) and turn it into a first-person story? MAMIE LOU, a project that has been acclaimed by professional markets in recent years (SACD prize at MIFA Annecy 2020, Venice Gap-Financing Market 2022), offers a proposal that is both […]

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“The moments when we are together are the ones that really get this industry going” – Mark Atkin (CPH:DOX – Inter:active 2022)

After a 2021 edition we fell in love with, CPH:DOX Inter:Active is back for a mostly in-person event starting today! Fewer works, large and complex installations and the chance to discover a festival, immersive productions – and Copenhagen itself! –

Luxembourg, a co-production territory serving immersive and audiovisual creation for Tarantula

For thirty years, Tarantula has occupied a special place in Luxembourg’s audiovisual landscape: that of an independent producer deeply rooted in auteur cinema, capable of seeking out social, political and sensitive stories and giving them international reach. Founded in 1995

2021 SXSW Virtual Cinema Lineup is all about experiencing our world

It’s good to be back in Austin, Texas. Even virtually. This year’s SXSW is going to be fully online: “Introducing SXSW Online, a digital experience from March 16–20, 2021 including keynotes, Conference sessions, Music Festival showcases, Film Festival screenings, world-class

“Create an experience, not a film” – Jonathan Griffith (TOUCHING THE SKY)

Based in Chamonix, Jonathan Griffith is one of the most renowned photographers and filmmakers in the world of mountaineering. An experienced climber and regular contributor to Meta and Red Bull, he has been pushing the boundaries of immersive filmmaking for

“A project as culturally and historically accurate as possible” – Eloise Singer (THE PIRATE QUEEN)

After its premiere at Raindance 2022, Singer Studios’ beautiful latest work, THE PIRATE QUEEN, began an exciting new journey at Tribeca 2023, taking home the Immersive 2023 Storyscapes award. We had the opportunity to meet with director and executive producer

“With mixed reality, we need to be more contemplative than strictly narrative” – Ondřej Moravec (FRAGILE HOME)

Since DARKENING in 2022, Ondřej Moravec has followed up with an equally successful second VR production, FRESH MEMORIES: THE LOOK, while launching a new event dedicated 100% to immersive creation, in Prague: Art*VR, the logical continuation of several years of