“As producers, we are very excited to see a real LBVR business model around such vivid experiences” – Joel Newton, David Ganek (CityLights)

Mathieu G.

Since 2018, CityLights has pursued a pioneering path, investing in premium virtual reality experiences and bringing these stories to global audiences. With a passion for elevating VR storytelling to the professional level of traditional filmmaking, co-founders David Ganek and Joel Newton look back on their first five years of activity - between experimentation, success and […]

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“It seemed essential to us to offer a truly positive and enlightening experience, and not a documentary on the end of life” – Isabelle Andreani (NANA LOU)

How do you take a strong social theme (the end of life, a complex, if not taboo, subject) and turn it into a first-person story? MAMIE LOU, a project that has been acclaimed by professional markets in recent years (SACD

“With our company we want to push further the XR production and distribution in Japan” – Tetsuya Ohashi (Cinemaleap)

Cinemaleap is one of the most active XR companies in Japan. As a content producer (FEATHER, BEAT, Clap…), organiser of the Beyond The Frame festival and content distributor, it plays a leading role in the promotion and distribution of Japanese

CPH:LAB 2024: Anamnesis, Fay: Carving Memories, Paradise Lost (part 3)

We have now come to the third and final part of our excursus on the CPH:LAB and the projects selected for the 2023/2024 edition. Today we will present the last three works (one of which, Anamnesis, also took part in

“Incoraggiare una cultura espositiva che supporti l’emergere di nuovi formati” – Liz Rosenthal (Venice Immersive 2024)

L’annuncio di oggi della line-up di Venice Immersive 2024 apre le porte alla nostra (frenetica) attesa per questo festival, che ogni anno supera le nostre aspettative portando qualcosa di nuovo ed emozionante al pubblico e a tutti gli addetti ai

“Festivals matter more than ever, as places where work is promoted, ideas circulate, and different viewpoints are expressed” – Anaïs Emery (GIFF 2025)

Opening on October 31, the 31st GIFF (Geneva International Film Festival) presents an immersive section full of new pieces to discover (and re-discover!) and a market that directly engages with the field’s challenges and potential. Cover: Future Botanica (Polymorf) A

Editorial⎜Five Reasons Why I Keep Falling for CPH:DOX Inter:Active

CPH:DOX Inter:Active 2025: a declaration of love in five points to a festival with a big heart. Cover: CONSTANTINOLOLIAD by Sister Sylvester & Nadah El Shazly I’ve been writing about CPH:DOX for years now on XRMust. I first followed the