“By the end of May 2024, LIFE CHRONICLES will be available in 4 cities in France and internationally” – Stephanie Targui (Museum national d’Histoire naturelle)

Mathieu G.

The Muséum national d'Histoire naturelle was one of the first cultural venues to open a permanent exhibition space dedicated to virtual reality. Stéphanie Targui was the driving force behind the museum's decision to integrate VR into its programming, and she tells us about their great adventure: LIFE CHRONICLES, the first co-production between a museum and […]

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“Since its creation, the GIFF has been a meeting platform for all actors of the cultural and creative industries ” – Anaïs Emery (General and artistic director)

The Geneva GIFF is back to 100% physical this year for an edition for the public but also for professionals (with the Geneva Digital Market). The opportunity to celebrate a 27th anniversary post-Covid in great shape. Interview with Anaïs Emery,

AR app BREONNA’S GARDEN will celebrate Breonna Taylor’s memory at Tribeca Immersive 2021

In solidarity with Breonna Taylor’s family and with the support of Tribeca Festival’s Tribeca Immersive, artist and curator Lady PheOnix has developed BREONNA’S GARDEN, a revolutionary framework for veneration through augmented reality (AR). As a sacred space, the Garden is

“To create an emotional context for public engagement” – prof. Sarah Kenderdine (EPFL Pavilions, eM+, DIAGRAM project)

The Geneva International Film Festival this year was, for me, an enlightening experience. During the event, I had the chance to interview Prof. Sarah Kenderdine, who joined the festival with a conference titled Future Cinema Systems as part of the

“Reality is not a simulation” – Caspar Sonnen (IDFA DocLab 2024)

The DocLab section of the IDFA is a key event for digital creation, in the broadest sense of the term, and returns this year with a new program of excellence, and a professional Forum showcasing future projects in the sector.

“I hope people will feel connected to our experiences, whether of Japanese tradition or more personal stories.” – Katsutoshi Machiba (Cinemaleap)

FEATHER in 2019 (Biennale College), BEAT in 2020, CLAP in 2021, TYPEMAN in 2022, SEN and SYUHASUU (FREQUENCY) in 2023… It’s hard to see a more regular schedule than Keisuke Itoh and the team at Cinemaleap, Japan’s leading XR studio,

Stereopsia 2024, the new think tank for the XR industries at European level

With its wide-ranging coverage of immersive, cultural and industrial activities, Stereopsia in Brussels is the end-of-year event for many professionals. An opportunity to decompress before the start of a new year? With a revamped formula, enhanced by a real marketplace