Eight years after its creation, Atlas V has formalized a major development that has just been announced by Variety: a €5 million fundraising campaign—led “primarily” by HTC—and a deliberate diversification strategy, designed as a direct response to the maturation (and limitations) of the online narrative VR market. The stated objective is to consolidate a studio […]
Unframed Collection, the first immersive distribution platform (Virtual Reality and Augmented Reality) dedicated to cultural venues, defends the ambition of better structuring the LBE (Location based entertainment) distribution market by offering an editorialized catalog of immersive works and services and
The Cannes Film Festival returns in July for a very special edition. Its professional counterpart, the Market, has also had to adapt – from 2020 – to anticipate the problems of a health situation that was still unknown when the
DARK ROOMS, presented recently at Venice Immersive 2025, is an embodied exploration of human psychology through the prism of sexuality, directed by Mads Damsbo, Laurits Flensted Jensen and Anne Sofie Steen Sverdrup. Three viewers are invited to explore inner spaces, each
As we await the opening of an exciting new exhibition at London’s Barbican Centre, titled Feel the Sound (May 22 – August 31), we had the chance to speak with Luke Kemp, Head of Creative Programme, Immersive. Our conversation was
Musician and fronmant of indie electronic band Miro Shot (and former lead singer of Breton), Roman Rappak is an artist well-versed in virtual reality concerts, having toured his live music & VR show internationally for several years. Rappak is an
How can digital arts organisations bring in a business mindset while maintaining artistic integrity as major producers of digital art? DI/S – Digital Inter/Section, a multiyear project supported by Creative Europe, is releasing four case studies of new business models