“Reframing our relationship with nature” – Marcel van Brakel (FUTURE BOTANICA)

Agnese Pietrobon

Presented in 2025 at SXSW and recently at the Geneva International Film Festival, FUTURE BOTANICA is an augmented reality work that reflects on the relationship between nature and the human element, while consciously stepping away from the perspective that usually frames this kind of discussion. Instead of placing humanity at the center, with the power […]

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BOZAR: anatomy of an institutional model for European immersive art

European XR is going through a gray area: ambitious works are proliferating, festivals are multiplying, public funding is intermittent, but few institutions are able to offer a stable, sustainable, and understandable model for the public. In this fragmented landscape, BOZAR,

“We need connections to share our experiences with the rest of the world” – Siza Mukwedini (Matamba Film Labs for Women)

In 2023, alongside her Matamba Film Lab for Women showcasing creative women in Africa, Zimbabwean producer Siza Mukwedini launched the Matamba Immersiv Festival. A venue for meetings and demonstrations of immersive experiences, it attracted over 1,200 spectators. A first edition

XR Through The Womanist Gaze 3/3: Preserving Women Music History, with Yolanda Barton

Globally, music has been a great source of entertainment, a form of artistic expression and a medium of cultural exchange. Music history cannot also be discussed without reference to great women who have contributed immensely to the growth of the

One big family: Onassis, ONX and the intersection of culture, technology and art

The Onassis Foundation has a big mission: to be a catalyst and embrace constant innovation and creative disruptions that will lead to a better society. And while this is a tall mission for any cultural organization, for the past 50

Venice VR Expanded will partner with VR Lounges around the world

The works of Venice VR Expanded, the Virtual Reality section of the 77th Venice International Film Festival (2-12 September 2020) (...)

Ride FX: from Omaha Beach to M. C. Escher, the immersive workshop in Brittany

Originally, Ride FX was supposed to produce films for amusement parks—hence the name, inspired by Futuroscope-style rides. Covid struck in the year the company was founded, major contracts fell through, and the studio had to reinvent itself at lightning speed.