Editorial⎜Marshmallow Laser Feast, And Why The Cannes Immersive Competition Could Change Everything For XR

Roman Rappak

This year the Cannes Film Festival made the historic decision to create the “Immersive Competition”, a new category the festival has included, alongside the “Palme d’Or” and “Un Certain Regard”, awarding a Cannes Film Festival prize for the Best Immersive Work of 2024, included in the nominations is a piece called EVOLVER, by Marshmallow Laser […]

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“We wanted to hold this virtual world in our hands” – Raqi Syed, Areito Echevarria (MINIMUM MASS)

Long-awaited interactive experience MINIMUM MASS (Selected at New Frontier Story Lab 2018, winner of the Cristal for the Best VR Work (...)

“Using entertainment to expand representation on a global scale” – Michaela Ternasky-Holland, Julie Cavaliere, Eleanor Thibeaux (REIMAGINED VOLUME II: MAHAL)

We discovered the surprising folklore narrated in the first episode of the Reimagined series at Venice Immersive 2022. Tribeca 2023 marked the beginning of the journey of the second volume, Mahal, which is now heading to the Asian American Internation

Editorial⎪Coming back from Mutek Montreal Forum 2022

From August 23 to 26, 2022, hundreds of artists and thinkers gathered at UQAM’s Cœur des Sciences for the eighth edition of the MUTEK Forum. Once again this year, the Forum offered a series of activities (conference, round table, workshop,

“As Impact Producers, it’s an opportunity to work on large creative projects such as ON THE MORNING YOU WAKE” – Susanna Pollack (Games for Change)

Featured at Sundance and SXSW, ON THE MORNING YOU WAKE (TO THE END OF THE WORLD) is the new work from the creative team behind NOTES ON BLINDNESS: INTO DARKNESS. More than that, it’s a powerful piece with an impact

“It’s why we do art, to tap into people’s emotions” – Tupac Martir (COSMOS WITHIN US)

On August 21, 3pm, the online booking to reserve your slot for VR works presented at the 2019 Venice Film Festival opened. (...)

“We are creating a VR experience, a direct encounter between the viewer and the performer” – Craig Quintero (ALL THAT REMAINS)

A first 360 film, ALL THAT REMAINS marked the Venice Immersive selection by its singularity. As if the influence of modern and experimental theatre managed to melt into a perfectly immersive staging device. Meeting with its director, Craig Quintero. The