“The Apple Vision Pro, while not perfect in its first version, is renewing interest in immersive applications” – Tom Krikorian (Tab To Tap)

Mathieu G.

A l’occasion du prochain événement Apple le 9 septembre prochain, nous allons à la rencontre de la communauté française travaillant sur les applications et contenus Apple Vision Pro. Alors que la marque à la pomme a lancé son premier casque à un prix onéreux mais avec une vraie proposition premium côté technique, retour sur les […]

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“To open up an environment that encourages debate and discussion and experimentation” – Lance Weiler, Char Simpson (PROJECT IMMERSE)

Project Immerse is a virtual experience that revolutionizes our use of classic tools like Zoom to touch new frontiers of storytelling What is innovation? There is an open debate around this word moved by the new possibilities offered by the

CPH:Lab 2024: Tales of a Nomadic City, Fully Automated Contact Zone, Hermaphrogenesis (part 1)

The new edition of the CPH:Lab came to an end a few weeks ago and once again it has emerged as one of the most educational and motivating experiences offered to talents of the immersive scene today. As in the

“I didn’t want to people to just enjoy the visuals. I wanted them to be more connected to the story” – Négar Motevalymeidanshah (LESS THAN 5 GRAMS OF SAFFRON)

LESS THAN 5 GRAMS OF SAFFRON is a beautifully animated 360 film that explores the immigrant experience and the memories that people carry with them – of the journey and of home. The piece, told through the eyes of a

Sundance New Frontier 2022 unveils full details of Online & In-Person venues and activities

When the 2022 Sundance Film Festival kicks off on January 20, it invites audiences to participate from wherever they are, including in person in Utah. The 2022 edition of the Festival’s New Frontier section will be a fully biodigital showcase,

Preview/ MONS VENUS, with Paula Orlando (creator) and Rocio Pichirili (producer)

Dealing with the question of pleasure (physical, emotional…) in virtual reality is a real question for creators, but an obvious destination when working with a medium that can manipulate the senses. By confronting the viewer with his or her own

“I wanted to create a minimalist and intimate world around a social question” – Bambou Kenneth (KINDRED)

After the success of GLIMPSE, the British studio Electric Skies continues its exploration of human and sensitive stories with KINDRED – a directorial debut in the form of a personal narrative, closer to a documentary. Meeting with its director, Bambou