‘We need to encourage an open-minded approach to all artistic disciplines’ – Julie Sanerot, Martin Colomer-Diez (CENTQUATRE-PARIS)

Mathieu G.

We're all familiar with CENTQUATRE-PARIS, an institution in the north of Paris that hosts a multi-cultural annual programme ranging from concerts to performances, creative workshops to exhibitions (most recently the Grande Expédition, ‘Tara, art and science to reveal the Ocean’), and its Open Factory (6 and 7 December) to incubate the next creative start-ups that […]

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“JFK MEMENTO is a true immersive archaeology process” – Chloe Rochereuil, Victor Agulhon (TARGO)

French documentary filmmakers Chloe Rochereuil (director) and Victor Agulhon (producer) have been churning out eventful releases on the Meta platform for the past 3 years. Their film SURVIVING 9/11 already demonstrated the importance of exploring key dates in history, and

“We allow a seated, traditional theatre audience to experience the virtual reality world without putting on a headset.” – Brendan Bradley (NON-PLAYER CHARACTER)

Join us as we delve into Brendan A. Bradley’s creative process, explore his unique artistic vision, and gain insight into the dynamic world of immersive theater and XR experiences. Don’t miss out on this inspiring conversation with one of the

“Our program reflects the renewed confidence and stability of the XR market” – Benjamin de Wit (Immersive Tech Week, VRDays Foundation)

Immersive Tech Week (ex-VRDays) returns to Rotterdam at the end of November, its new home since the 2022 edition. A post-Covid revival that also marks the confirmation of one of the biggest forums dedicated to immersive technologies in Europe, all

“We develop the MeRCURY headset for total, poetic immersion” – Pierre “PYARe” Friquet (NiGHT immersion)

Pierre Friquet has been an explorer of immersion for over ten years. From the first 360 films shot in India (JET LAG, presented at Cannes XR in 2016) to more installative formats (SPACED OUT, PATTERNS…), Pierre is fearless. And it’s

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After 3 editions (since 2021), the NUMIX LAB are a unique moment in the year when the world of cultural institutions and technological innovation meet and confront concrete cases of digital use within museums and exhibition spaces. A cohort of

From the MIT Media Lab x WORLDING 2025: “We want to learn from you”

WORLDING 2025 is an experimental incubator empowering a select cohort of creators and XR productions, a deeper look into the Co-Creation model. Earlier this month, I was invited to sit in on an incubator created under a model of Co-Creation