“Offering collective experiences to cultivate a “living together” with digital technology” – Voyelle Acker, Vincent Guttmann (Small Creative)

Mathieu G.

"Small but strong": that's how the Small Creative team, an XR studio and production company based in Paris, humorously describes itself. After supporting a number of VR producers, and a Covid crisis that gave rise to new desires and a new internal strategy, the company headed by Vincent Guttmann, Jean Dellac and Voyelle Acker is […]

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Editorial⎜IDFA Doclab 2025: OF(F) the Internet

At IDFA Doclab, you can be sure of two things: 1) the ever evolving and creative programming means you never can be sure what you will experience, and 2) whatever it is, you will be surrounded by thought-provoking work, people

“Community as a big part of storytelling” – Ryan Griffen, Zoe Roellin, Nathan Anderson (LUSTRATION VR)

With impeccable worldbuilding and an exciting story to follow, Lustration VR, currently at SXSW 2022, is one of the most effective examples of how to create an active and engaged audience around a work, taking advantage of the possibilities offered

“Understanding technical tools for more nuanced artistic choices” – Patrick Muroni (RAVE)

At GIFF 2024, the International Immersive Experience Competition featured RAVE, an immersive work by Patrick Muroni that made its world premiere during the 30th edition of the Geneva International Film Festival. RAVE captures the protagonist’s first rave: a journey of

Decoding XR: OTO’S PLANET with Skill Lab & Dpt. (Part 2)

A prestigious success in 2024 (with a host of festival selections and awards, including Venice, Geneva and the XRMust Awards), OTO’S PLANET was also released on stores before the end of the year. Now accessible to everyone, this French-language production

Exclusive at SXSW 2022: six immersive co-productions presented by UK-Canada Immersive Exchange

Four immersive media prototypes developed as part of the first-ever UK-Canada Immersive Exchange will have their first public preview at the SXSW XR Experience in Austin, Texas from March 13-15, 2022. Launched in November 2020, the UK-Canada Immersive Exchange is

“Music should be used as an interactive component for the viewer” – Cyrille Marchesseau (PAPER BIRDS)

Long before the global health crisis, French composer Cyrille Marchesseau (based in Bordeaux) was already used to working remotely. Whether for French, Argentinean or American productions, the author of the soundtracks for GLOOMY EYES, JAILBIRDS or PAPER BIRDS (among others)