I encountered Nancy Baker Cahill’s work through a seminar at CalArts, where she shared her expansive approach to AR sculpture, expanded cinema and analog relationships with land. What struck me was not just the scale of her projects but her methodology on creating a recursive cycle where landscapes and bodies exist fluidly between tactile and virtual realms—integrating art, politics, and sensory experience. Rather than just thinking about her work as existing between the physical and virtual, I want to start with how it makes us tune into things we don’t…
Exploring Expanded Narratives: A Conversation with Nancy Baker Cahill
